멜로디에 강한 음악
잘 정의된 음악 패턴에 따른 명확하고 기억에 남는 멜로디를 갖춘 곡입니다. 이 척도가 높은 곡은 일반적으로 연주나 보컬 라인이 명확하고 기억에 남는 것이 특징입니다.
어쿠스틱 악기 중심
곡이 전자 음악이나 디지털 합성 음악이 아닌 어쿠스틱 악기(예: 피아노, 기타, 바이올린, 드럼, 색소폰)를 얼마나 많이 사용하는지를 나타내는 척도입니다.
발랑스
곡의 화성과 리듬 요소를 통해 전달되는 음악적 긍정성 또는 감정적 톤입니다. 높은 쾌감은 행복, 흥분, 희열의 감정에 해당하며, 낮은 쾌감은 슬픔, 분노, 우울과 연관됩니다.
춤추기 좋은 음악
템포의 안정성, 리듬 패턴, 비트 강조 등 여러 요인의 조합을 통해 곡이 춤추기에 얼마나 적합한지 정하는 척도입니다. '춤추기 좋은' 곡의 특징은 일정한 템포, 반복적인 음악 구조, 강한 다운비트입니다.
에너지
트랙의 강렬함은 템포, 역동성, 음악적 밀도에 영향을 받을 수 있습니다. 에너지가 높은 곡은 강렬한 리듬과 풍부한 악기 편곡으로 구성되는 반면, 에너지가 낮은 곡은 음악적으로 간결하고 느린 템포가 특징일 수 있습니다.
BPM96
뮤직 비디오
뮤직 비디오
크레딧
실연 아티스트
Tash
실연자
작곡 및 작사
Rico Smith
가사, 작곡가
Fred Nassar
작곡가, 가사
프로덕션 및 엔지니어링
Fred Wreck
프로듀서
Rico Smith
책임 프로듀서
Malik Levy
책임 프로듀서
Shane Mooney
책임 프로듀서
Eric Brooks
책임 프로듀서
E-Swift
믹싱 엔지니어
Daniel Romero
믹싱 엔지니어, 녹음 엔지니어
Skip Saylor
믹싱 엔지니어, 녹음 엔지니어
가사
Ya know we peepin' y'all
Slow motion style
Pacific Ocean style (Wh-what?)
I'm in a rowdy-ass club, there's hella bitches all around me
This girl walks up, she says she's glad that she found me
I told her she was trippin', 'cause the girl ain't even know me
Then she told me she want to introduce me to her homies
I said "Well, baby girl, go get your Kemosabe's –
I'll get my Likwit ****, we'll meet you in the lobby"
She walked wit' a smile I ain't seened in a while
So we mobbed through the crowd – Killer-Cal-style
Walkin' wit' a limp, 'cause see, we pimp to perfection
For us to catch a date, don't take the 'Love Connection'
Fuck Chuck Woolery
You want a date for surely, all it take is fine jewelry
A wink and a drink and what the fuck you think?
I mack a baby doll down, she in a long black mink
We straight standin' in the lobby, straight face-to-face
Then she said "Cut to the chase, let's bounce to my place"
'Cause ladies, we wait for nightfall
You thinkin' that we sleepin', but we peepin' all o' y'all
Even all o' y'all up against the wall
But slow down, baby doll
You can't walk before you crawl
Ladies, we wait for nightfall
You thinkin' that we sleepin', but we peepin' all o' y'all
Even all o' y'all up against the wall
But slow down, baby doll
You can't walk before you crawl
Still close to gettin' toasted, by the B-A-R
About to bounce wit' these bitches, 'cause they don't live far
**** all up in my grill, lookin' hella bizarre
I poured my drink on the ground for my dead homey Par (Rest in peace)
Grabbed my car keys, my doctah funktion
Burnt a little rubber, made my outroduction
Pumpkin and her friends pushed the two-door Benz
I pushed the E420, so we looked like twins
Swervin' through the night, everything is right
Swift rolled a blunt, but he can't find a light
Just when we 'bout to blaze it up and get high
I peeped the one-time out the corner of my eye
'Cause one-time, they wait for nightfall
We thinkin' that they sleepin', but they peepin' all o' y'all
Even all o' y'all up against the wall
But slow down, killer cops
You can't walk before you crawl
One-time, they wait for nightfall
We thinkin' that they sleepin', but they peepin' all o' y'all
Even all o' y'all up against the wall
But slow down, killer cops
You can't walk before you crawl
I rolled past the cops, I'm on my cell phone, blown
Doin' 60 miles-a-hour in a 35 zone
Just when I thought it was about to be on
The girl pulled into the gate of a million-dollar home
Fly landscape and cavi' decorations
The living room was bigger than the Club United Nations
Place was to the point I kicked my shoes off the secko
30 percenters – when I talked it made a echo
Rolled up the fat Perfecto
They wanna skinny dip, but I ain't wanna get wet though
So... "Let's go," that's what she told Tash
She led me to her room, lookin' like Stacey Dash
Baby got it pumpin', can't help but to feel it
Then she told me that she married to a killer drug dealer (Say what?)
Should I – A: stay, or B: bounce immediately?
'Cause haters, they wait for nightfall
We thinkin' that they sleepin', but they peepin' all o' y'all
Even all o' y'all up against the wall
But slow down, baby pa
You can't walk before you crawl
Haters, they wait for nightfall
We thinkin' that they sleepin', but they peepin' all o' y'all
Even all o' y'all up against the wall
But slow down, baby pa
You can't walk before you crawl
Can't do it
Ya can't do it
Ya can't walk before ya crawl
That's right, y'all
Slow motion style
Killer Cali on the mic
Catastrophe fuckin' it up all the way from the Bermuda Triangle (That's right)
Hottest shit on the streets
1998, '99, 2000
Raise yo' glass
Raise yo' glass to Tash
Raise yo' glass
And make a toast to Tash
Now
Straigt up
Not tonight
Not tonight
We got Tash on the mic
Not tonight
Written by: Fred Nassar, Rico Smith


