White Privilege
8,437
투어 중
Hip-Hop/Rap
White Privilege은(는) {albumName} 앨범에 수록된 곡으로 2005년 1월 1일일에 Macklemore에서 발매되었습니다.The Language of My World
멜로디에 강한 음악
잘 정의된 음악 패턴에 따른 명확하고 기억에 남는 멜로디를 갖춘 곡입니다. 이 척도가 높은 곡은 일반적으로 연주나 보컬 라인이 명확하고 기억에 남는 것이 특징입니다.
어쿠스틱 악기 중심
곡이 전자 음악이나 디지털 합성 음악이 아닌 어쿠스틱 악기(예: 피아노, 기타, 바이올린, 드럼, 색소폰)를 얼마나 많이 사용하는지를 나타내는 척도입니다.
발랑스
곡의 화성과 리듬 요소를 통해 전달되는 음악적 긍정성 또는 감정적 톤입니다. 높은 쾌감은 행복, 흥분, 희열의 감정에 해당하며, 낮은 쾌감은 슬픔, 분노, 우울과 연관됩니다.
춤추기 좋은 음악
템포의 안정성, 리듬 패턴, 비트 강조 등 여러 요인의 조합을 통해 곡이 춤추기에 얼마나 적합한지 정하는 척도입니다. '춤추기 좋은' 곡의 특징은 일정한 템포, 반복적인 음악 구조, 강한 다운비트입니다.
에너지
트랙의 강렬함은 템포, 역동성, 음악적 밀도에 영향을 받을 수 있습니다. 에너지가 높은 곡은 강렬한 리듬과 풍부한 악기 편곡으로 구성되는 반면, 에너지가 낮은 곡은 음악적으로 간결하고 느린 템포가 특징일 수 있습니다.
BPM84
뮤직 비디오
뮤직 비디오
크레딧
실연 아티스트
Macklemore
실연자
작곡 및 작사
Jamila Woods
작사가 겸 작곡가
Ryan Lewis
작사가 겸 작곡가
Ben Haggerty
작사가 겸 작곡가
Ahamefule J. Oluo
작사가 겸 작곡가
D'vonne Lewis
작사가 겸 작곡가
D. Asplund
작사가 겸 작곡가
Evan Flory-Barnes
작사가 겸 작곡가
Glen Lane Reynolds
작사가 겸 작곡가
Joshua Guralnick Karp
작사가 겸 작곡가
Joshua Robert Rawlings
작사가 겸 작곡가
Larry Griffin Jr.
작사가 겸 작곡가
Tyler W. Andrews
작사가 겸 작곡가
Hollis Wong-Wear
작사가 겸 작곡가
가사
[Verse 1]
Now nod your head and wake up
[Verse 2]
I see so many people lost who really try to pretend
But am I just another white boy who's caught on to the trend?
When I take a step to the mic is hip-hop closer to the end?
'Cause when I go to shows, the majority have white skin
They marketed the windmill, the air flair and head spin
And white rappers' albums really get the most spins
The face of hip-hop, it's changed a lot since Eminem
And if he's takin' away black artists' profits, I look just like him
[Verse 3]
Claimed a culture that wasn't mine, the way of the American
Hip-hop is gentrified and where will all the people live?
It's like the Central District, Beacon Hill to the south end
Bein' pushed farther away because of what white people did
Now where's my place in a music that's been taken by my race
Cultural appropriated by the white face?
And we don't want to admit that this is existence
So scared to acknowledge the benefits of our white privilege
[Verse 4]
'Cause it's human nature to be wanna be part of something different
Especially when your ancestors are European Christians
And most whites don't wanna acknowledge this is occurrin'
'Cause we got the best deal, the music without the burden
Of bein' black in a system that really wants you to rock
'Cause all you need is a program and you can go and make hip-hop
And we hate the mainstream 'cause we're the ones that took it
Now we listen to Aesop Rock and wear t-shirts that say Brooklyn
[Verse 5]
But it's not about black and white, right?
I mean, good music is good music, regardless of what you look like
But when you don't give 'em props, isn't that selfish?
That's like saying rock was actually started by Elvis
So where does this leave me?
I feel like I pay dues, but I'll always be a white MC
I give everything I have when I write a rhyme
But that doesn't change the fact that this culture's not mine
[Verse 6]
But I'm gonna be me, so please be who you are
This is something that's effortless and that shouldn't be hard
I said I'm gonna be me, so please be who you are
But we still owe 'em forty acres, now we've stolen their sixteen bars
[Verse 7]
Hip-hop started off in a block that I've never been to
To counteract a struggle that I've never even been through
If I think I understand just because I flow too
That means I'm not keepin' it true, nope
Hip-hop started off in a block that I've never been to
To counteract a struggle that I've never even been through
If I think I understand just because I flow too
That means I'm not keepin' it true, I'm not keepin' it true
[Verse 8]
Now I don't rap about guns, so they label me cautious
But I don't rap about guns 'cause I wasn't forced into the projects
See, I was put in the position where I could choose my options
Blessed with the privilege that my parents could send me to college
Now, who's goin' to shows, the kids on the block starvin'
Or the white people with dough that can relate to my content?
Marketed the music, now adapted to the lifestyle
What happened to jazz and rock and roll is happening right now
[Verse 9]
Where's my place in the music that's been taken by the media
With white corporations controllin' what they're feedin' ya?
I brought up Aesop Rock, but I'm not even dissin' dude
We love hip-hop, and what do you think that caucasians are listenin' to?
And I speak freely when I write this
If a black MC examined race, there goes half their fan base
White kids, and this is so true
And we didn't even have to fight this system
We just went and picked up the microphone too
[Verse 10]
And we got good at it, so we should be rappin'
But only supporting them is like burning Jimmy and buying Clapton
Now, Clapton's incredible, but no Jimmy, no foundation
So here comes history and the cultural appropriation
White kids with do-rags tryna practice their accents
From the suburbs to the upperclass, masterin' a language
But hip-hop's not just memorizing words
It's rooted in authenticity, something you literally can't learn
[Verse 11]
But I'm gonna be me, so please be who you are
It's something that's effortless and it shouldn't be hard
I said I'm gonna be me, so please be who you are
But as I'm blessed with the privilege, they're still left with the scars
Come on
[Verse 12]
Hip-hop started off in a block that I've never been to
To counteract a struggle that I've never even been through
If I think I understand just because I flow too
That means I'm not keepin' it true, nope
Hip-hop started off in a block that I've never been to
To counteract a struggle that I've never even been through
If I think I understand just because I flow too
That means I'm not keepin' it true, I'm not keepin' it true
Written by: Ahamefule J. Oluo, Ben Haggerty, D'vonne Lewis, D. Asplund, Evan Flory-Barnes, Glen Lane Reynolds, Jamil Abidemi Woods, Joshua Guralnick Karp, Joshua Robert Rawlings, Larry Griffin Jr., Ryan Lewis, Tyler W. Andrews


