JOE PERA은(는) {albumName} 앨범에 수록된 곡으로 2026년 5월 1일일에 EXOCIETY에서 발매되었습니다.JOE PERA - Single
BPM87
멜로디에 강한 음악
잘 정의된 음악 패턴에 따른 명확하고 기억에 남는 멜로디를 갖춘 곡입니다. 이 척도가 높은 곡은 일반적으로 연주나 보컬 라인이 명확하고 기억에 남는 것이 특징입니다.
어쿠스틱 악기 중심
곡이 전자 음악이나 디지털 합성 음악이 아닌 어쿠스틱 악기(예: 피아노, 기타, 바이올린, 드럼, 색소폰)를 얼마나 많이 사용하는지를 나타내는 척도입니다.
발랑스
곡의 화성과 리듬 요소를 통해 전달되는 음악적 긍정성 또는 감정적 톤입니다. 높은 쾌감은 행복, 흥분, 희열의 감정에 해당하며, 낮은 쾌감은 슬픔, 분노, 우울과 연관됩니다.
춤추기 좋은 음악
템포의 안정성, 리듬 패턴, 비트 강조 등 여러 요인의 조합을 통해 곡이 춤추기에 얼마나 적합한지 정하는 척도입니다. '춤추기 좋은' 곡의 특징은 일정한 템포, 반복적인 음악 구조, 강한 다운비트입니다.
에너지
트랙의 강렬함은 템포, 역동성, 음악적 밀도에 영향을 받을 수 있습니다. 에너지가 높은 곡은 강렬한 리듬과 풍부한 악기 편곡으로 구성되는 반면, 에너지가 낮은 곡은 음악적으로 간결하고 느린 템포가 특징일 수 있습니다.
가사
So where would you happen to find one of those?
I faced a blunt out front the venue with a stack of fans
Thought I could cook it in the bag like it was Zatarain's
Chasing stars 'til I bled from the welts, got caught inside the same color
Tryna stretch on the veldt, ayy, ayy
Big Billy, sit still, we was on fire
Shit kill me, sicilian chrome tires
Sideways I sit, father, forgive me, I mustn't flex
Pity, pity, it's hideous, like hickeys, I'm on they neck
Obsidian, let's reflect
I'm dippin' to get the check
It was written, I'm workin' stiff, it's a symphony of the flesh
Get stretched
Made it home from the movies
Told me not to break a leg, I think I'm Kota Ibushi
Style as cold as a smoothie, cut the cream from the flat
Greg Jennings, how I run it, put the team on my back
What, what?
It ain't nothin' to get it, you gotta keep it
Took a thousand-yard stare off my face and then I freaked it
Deep breath, inhale then exhale
Cashier knows my first name from cigarette sales
"Cash or credit?" I swiped it before she said it
Smoke fillin' up the Camry like I'm driving through a chem trail
Thirty rack of miller high like riding passenger
Pulled one out the pack, like working hard to rent excalibur
I whip a '99 Toyota like a challenger
Nothing on my calendar, I'm just a weary traveler
I've got nothing to do, nowhere to be
I got no one to see, it's only me
What some call loneliness, others call freedom
What some call a life, I might call a mausoleum
My responsibilities are few and far between
I treat an obligation like I'm fighting in a coliseum
If it don't bring me joy or money, I don't need 'em
Treat my jobs just like my father treated me, I fuckin' leave 'em
Wasn't cool enough to join 'em, so I beat 'em
Now they ask me what it feels like being famous when I see 'em
I tell 'em I still haven't made it past the tryouts
Maybe when I make it, I can tell 'em when I find out
Can't wait to sign out, can't wait for privacy
Can't wait until my life is something only I can see
I'll probably buy a boat and start a fuckin' winery
Until then, it's just a price of notoriety (Don't you want it?)
Yeah, yeah
Mrs. Hollywood in the fuckin' building, ISSBROKIE, bitch, you know what the fuck it is
Here with two legends, Ashtin and Kill Bill
I'ma just, I'ma just let this shit go
First day back, motherfucker, look
I don't write hooks, I'm a punchline rapper, get it?
Bitch spittin' different since you dudes ain't knew the boul was hittin'
I'm agnostic, rockin' Chrome, it ain't my true religion
Mix it with the Christians, I been with the wack since catechism, huh
Wait, first day back, it got imagined different
Probably baskin' asses 'fore you ever match, the tracks are written
Look, Mrs. Hollywood, ISSBROKIE, back in business
Y'all don't really want it like pajama sets on early Christmas
I'll probably suck a dick before I let y'all think it's dumb
Wishin' nothin' crazy, make 'em think, like maybe, I'm just smokin' blunts
Laughin' at these rappers throwin' hits while they not mixin' one
I smack 'em 'cross the ocean, watch 'em float into the distant sun
Yeah, on a Monday, I let 'em know what's sense
Sweatin' 'em up in specific ways, been different, no specific buffs
I'm kind of like Kill Bill, might go ball from all this written stuff
Since RICHIE!, knew to till in stadiums, a bitch ain't did enough since BOMINATION!
I ain't tryna politick
I just let the guala hit to give it to the Trevor Project, all in bids
Call my bitch just to hear her call me rich
She love it when I'm confident, in confidence, no consonance
Dollar commas all I get
I'm just getting by, I promise all of this
Prioritize my mama, Oakland, all that shit that got me this
No ice is split, no, optomotrist, I ain't doing better than y'all
The hottest bitch, my optics been the top of eagles, Oculus
Who the fuck movin' like it's blue and talkin' crazy?
Way she scoot it, duffy carry more kilos than a movie truck
Police on her ass, tinted glass, kill and shoot to bust
Blue is bucks, droppin' out the trunk, how they knew it's us?
Kaboom, it's up, rappers talkin' crazy 'cause they stupid, bruh
Alludin' that I'm doin' this for money, check my studi' card
Got blackened sheets, pillows 'cause I'm sleepin' at your newest cuts
When I backed away, I did this take to only do it once, stupid
That's what I expected
ISSBROKIE, bitch, Mrs. Hollywood in the fuckin' building
The one take got it
You already know who the fuck it is in this bitch
Shoutout Kill Bill, shoutout Ashtin
Shoutout whoever produced this heavenly-ass beat (Ohbliv), goddamn
I'm hyped up, I'm 'bout to go play, uh
Tomodachi Life on my Switch 2
I don't know why I just said that like it was an ad, but
Bitch (It's not fair)
Written by: Bill Nettles, Jérémy Schmitt, steph monroe

