album cover
Progress
255
Alternative
Progress foi lançado em 11 de outubro de 1982 por Matador como parte do álbum Vs.
album cover
ÁlbumVs.
Data de lançamento11 de outubro de 1982
SeloMatador
LanguageEnglish
Melodicidade
Acusticidade
Valence
Dançabilidade
Energia
BPM171

Vídeo da música

Vídeo da música

Créditos

INTERPRETAÇÃO
Mission of Burma
Mission of Burma
Interpretação
Clint Conley
Clint Conley
Baixo
Martin Swope
Martin Swope
Sampleador
Peter Prescott
Peter Prescott
Vocais
Roger Clark Miller
Roger Clark Miller
Violão
COMPOSIÇÃO E LETRA
Clint Conley
Clint Conley
Composição
PRODUÇÃO E ENGENHARIA
John Kiehl
John Kiehl
Engenharia
Richard Harte
Richard Harte
Produção

Letra

[Verse 1]
Down with history, down with sense
Nothing makes much difference
I'll surrender to this tragic mess
Spinning ball of randomness
Where logos is the finest blasphemy
[Verse 2]
Men's lives pass like strips of film
Recorded gestures, acts of will
I'd like to think that down through time
They'd compose a logical line
Chances are they're just a pile of shit
[Verse 3]
And I can't help but bow my head and cry
It took so long to finally realize
That all our hopes are based on such gross lies
[Verse 4]
Classroom lessons, World War Two
Atrocities against the Jews
Never again, our solemn vow
That's why we all share Cambodia
Isn't it great how far we've come since then?
[Verse 5]
And I can't help but bow my head and cry
It took so long to finally realize
That all our hopes are based on such gross lies
Yeah
[Verse 6]
Dialectic's shit
Evolution's crap
Time and time again the masquerade is shown for what it really is
Ah-ha, progress, progress, it's a pleasant myth
Ah-ha, a pleasant myth
[Verse 7]
Progress, progress
Pleasant myth
That makes my life worthwhile
[Verse 8]
Progress, progress
Pleasant myth
That makes my life worthwhile
[Verse 9]
Progress, progress
Pleasant myth
That makes my life worthwhile
[Verse 10]
Progress, progress
Pleasant myth
That makes my life worthwhile
[Verse 11]
Progress, progress
Pleasant myth
That makes my life
Oh
Written by: Clint Conley
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