Last Call

(Aight, let's run it, let's run it) Yo fuck you, Kanye, first and foremost For making me do this shit, muh'fucker Had to throw everybody out the motherfucking room, 'cause they don't fuckin'- I'd like to propose a toast I said toast, motherfucker! La-la-la-la, la-la-la-la-la-la La-la-la-la And I am (here's to the Roc) And they ask me, they ask me, they ask me, I tell them (Here's to Roc-A-Fella) Raise your glasses, your glasses, your glasses to the sky and (Here's to the Roc) This is the last call for alcohol, for the (Mr. Rockefeller) So get your ass up off the wall The all around the world Digital Underground Pac The Rudolph, the red-nosed reindeer of the Roc I take my chain, my 15 seconds of fame And come back next year with the whole fucking game Ain't nobody expect Kanye to end up on top They expected that College Dropout to drop and then flop Then maybe he'd stop, savin' all the good beats for himself Roc-A-Fella's only niggas that helped My money was thinner than Sean Paul's goatee hair Now Jean Paul Gaultier cologne fill the air, yeah They say he bougie, he big-headed Would you please stop talking about how my dick head is Flow infectious, give me ten seconds I'll have a buzz bigger than insects in Texas It's funny how wasn't nobody interested 'Til the night I almost killed myself in Lexus Now I am (here's to the Roc) And they ask me, they ask me, they ask me, I tell them (Here's to Roc-A-Fella) Raise your glasses, your glasses, your glasses to the sky and (Here's to the Roc) This is the last call for alcohol, for the (Mr. Rockefeller) So get your ass up off the wall Now was Kanye the most overlooked? Yes, sir Now is Kanye the most overbooked? Yes, sir Though the fans want the feeling of A Tribe Called Quest But all they got left is this guy called West That'll take Freeway, throw him on tracks with Mos Def Call him Kwa-li or Kwe-li, I put him on songs with JAY-Z I'm the Gap like Banana Republic and Old Navy, and ooh It come out sweeter than old Sadie Nice as Bun-B when I met him at the Source awards Girl, he had with him, ass coulda won the horse awards And I was almost famous Now everybody love Kanye, I'm almost Raymond Some say he arrogant, can y'all blame him? It was straight embarrassing how y'all played him Last year shoppin' my demo, I was tryin' to shine Every motherfucker told me that I couldn't rhyme Now I could let these dream killers kill my self-esteem Or use my arrogance as the steam to power my dreams I use it as my gas, so they say that I'm gassed But without it I'd be last, so I ought to laugh So I don't listen to the suits behind the desk no more You niggas wear suits 'cause you can't dress no more You can't say shit to Kanye West no more I rocked 20,000 people, I was just on tour, nigga I'm Kon, the Louis Vuitton Don Bought my mom a purse, now she Louis Vuitton Mom I ain't play the hand I was dealt, I changed my cards I prayed to the skies and I changed my stars I went to the malls and I balled too hard "Oh my god, is that a black card?" I turned around and replied, "Why, yes But I prefer the term African American Express" Brains, power, and muscle Like Dame, Puffy, and Russell Your boy back on his hustle You know what I've been up to Killin y'all niggas on that lyrical shit Mayonnaise-colored Benz, I push Miracle Whips And I am (here's to the Roc) And they ask me, they ask me, they ask me, I tell them (Here's to Roc-A-Fella) Raise your glasses, your glasses, your glasses to the sky and (Here's to the Roc) This is the last call for alcohol, for the (Mr. Rockefeller) So get your ass up off the wall So this A&R over at Roc-A-Fella, named Hip Hop, picked the "Truth" beat for Beanie And I was in the session with him, I had my demo with me, you know, like I always do I play the songs, he's like "Who that spittin'?", I'm like,"It's me" He's like, "Oh, okay" Uh, he started talkin' to me on the phone, going back and forth, just askin' me to send him beats And I'm thinking he's trying to get into managing producers 'Cause he had this other kid named Just Blaze he was messin' with And um, he was friends with my mentor, No ID And No ID told him "Look, man, if you wanna mess with Kanye you gotta tell him that you like the way he rap" I was all, I dunno if he was gassin' me or not But he's like, he wanna manage me as a rapper and a producer I'm like, "Oh, shit" I was messin' with, uh, D-Dot also (so won't you raise your glass, won't you?) People-, like they started talking about the ghost production But that's how I got in the game, if it weren't for that, I wouldn't be here, so, you know After they picked that "Truth" beat, I was figuring I was gonna do some more work But shit just wasn't poppin' off like that, I was stayin' in Chicago I had my own apartment, I be doin' like Just, beats for local acts just to try to keep the lights on, and then to go out and buy Get a Pelle Pelle off lay-away, get some Jordans or something or get a TechnoMarine That's what we wore back then I made this one beat where I sped up this Harold Melvin sample I played it for Hip over the phone, he's like, "Oh, yo, that shit is crazy Jay might want it for this compilation album he doin', called The Dynasty" And at that time, like, the drums really weren't soundin' right to me, so I went and, um I was listening to Dre, Chronic 2001 at that time, and really I just, like, bit the drums off "Xxplosive" And put it like with a sped-up sample, and now it's kind of like my whole style Where it started, when he rapped on "This Can't Be Life" And that was like, really the first beat of that kind that was on The Dynasty album I could say that was the the resurgence of the soul sound You know, I got to come in and track the beat, and at the time I was still with my other management I really wanted to roll with Hip Hop 'Cause I, I just needed some fresh air, you know what I'm sayin' 'cause I- I been there for a while, I appreciated what they did for me but You know, there's a time in every man's life where he gotta make a change And try to move up to the next level That day, I came and I tracked the beat and I got to meet JAY-Z And he said, "Oh, you a real soulful dude" He, uh, played the song 'cause he already spit his verse by the time I got to the studio You know he do it one-take He said, "Tell me what you think of this" And I heard it, and I was thinking like, man I really wanted more like of the simple type JAY-Z, I ain't want like the- The more introspective, complicated rhy- or, in my personal opinion So he asked me, "What you think of it?", and I was like, "Man, that shit tight" You know what I'm sayin', what I'ma tell him? I was on the train, man, you know, so After that, I went back home And man, I'm-, I'm just in Chicago, I'm trying to do my thing, you know I got groups, I got acts I'm trying to get on, and like There wasn't nothin' really, like poppin' off the way it should have been One of my homies that was one of my artists, he got signed But it was supposed to really go through my production company But he ended up going straight with the company So, like I'm just straight holdin' the phone Gettin' the bad news that dude was tryin' to leave my company And I got evicted at the same time So, I went down and tracked the beats from him I took that money, came back, packed all my shit up in a U-Haul Maybe about ten days before I had to actually get out So I ain't have to deal with the landlord 'cause he's a jerk Me and my mother drove to... (come on, let's just go) Newark, New Jersey, I hadn't even seen my apartment I remember I pulled up (Kanye, baby, we're here) I unpacked all my shit, you know, we went to Ikea, I bought a bed, I put the bed together myself I loaded up all my equipment, and the first beat I made was, uh, "Heart of the City" And Beans was still working on his album at that time, so I came up there to Baseline It was Beans' birthday, matter of fact, and I played like seven beats, and You know, I guess he was in the zone, he already had the beats that he wanted I had did "Nothing Like It" already at that time But then Jay walked in, I remember he had a Gucci bucket hat on I remember it like, like it was yesterday And Hip Hop said, "Yo, play that one beat for him", so I played "Heart of the City" And really, I made "Heart of the City", I really wanted to give that beat to DMX Then I played another beat, then I played another beat And I remember that Gucci bucket, he took it and like put it over his face And he made one of them faces like, "ooh" Two days later I'm in Baseline and I seen Dame Dame didn't know who I was and I was like, "Yo, what's up, I'm Kanye" (Yo, you that kid, Kanye?) "You that kid that gave all them beats to Jay? Yo, this nigga got classics to your beats" (Yo, Jay got classics to your beats) you know how he talkin' shit I'm like "Oh, shit", and all this time I'm starstruck, man, I'm still thinking 'bout You know, I'm picturing these niggas on the show, on Streets is Watching or whatever I'm lookin', these are superstars in my eyes, and they still are, you know So, Jay came in and he spit all these songs like, in one day, and in two days- I gotta bring up one thing, you know, to go back in the story The day I did the 'Can't be Life' beat, I tracked it I remember Lenny S was there, he had some Louis Vuitton sneakers on, he think he fly And Hip Hop was there, I think Ty-Ty, John Meneilly, a bunch of people I didn't know all these people at the time, they was in the room, and I said, "yo, Jay, I could rap" And I spit this rap that said, uh "I'm killin' y'all niggas on that lyrical shit, Mayonnaise colored Benz, I push miracle whips" And I saw his eyes light up when I said that line, but you know the rest The rap was like real wack and shit, so, that's all the response He said, "Man, that was tight", and (man, that, that was cool, that was hot) That was it, you know, I ain't get no deal or nothin' Okay, fast forward So, Blueprint, "H to the Izzo," my first hit single And I just took that proudly, built relationships with people And my relationship with Kweli, I think, was one of the best things To ever happen to my career as a rapper Because, you know, of course, later he allowed me to go on tour with him Man, you know, I appre-, I love him for that And at this time, you know I didn't have a deal I had songs, and I had relationships with all these A&R's, so they wanted beats from me So they'd call me up, I'd play them some beats "Gimme a beat that sound like JAY-Z", you know, they dick riders, whatever So, I'll play them these post-Blueprint beats or whatever and then I'll play my shit I'll be like, "Yo, but I rap too" I guess they was lookin' at me crazy 'cause you know, 'cause I ain't have a jersey on or whatever Everybody out there, listen here, I played them "Jesus Walks" and they didn't sign me You know what happened, it was some A&R's that fucked with me though, but them like the heads It'd be somebody at the company that'll say, "Naw", like Dave Lighty fucked with me, my nigga Mel brought me to a bunch of labels Jessica Rivera, man (man, ya'll niggas is stupid if y'all don't sign Kanye, for real) I'm not gonna say nothin' to mess my promotion up (y'all niggas is stupid) Let's just say I didn't get my deal The nigga that was behind me, I mean, he wasn't even a nigga, you know? The person who actually kicked everything off was Joe 3H from Capitol Records He wanted to sign me really bad (we gonna change the game, buddy) Dame was like, "Yo, you got a deal with Capitol? Okay man, just make sure it's not wack" (you gotta make sure it's not wack) Then one day, I just went ahead and played it, I wanted to play some songs 'Cause you know, Cam was in the room, Young Guru, and Dame was in the room, so I played- Actually it's a song you'll never hear Or maybe I might use it, so, it's called "Wow" "I go to Jacob with 25 thou You go with 25 hundred, wow I got 11 plaques on my walls right now You got your first gold single, damn, nigga, wow" Like the chorus went like, don't bite that chorus, 'cause I might still use it So I play that song for him And he's like "Oh, shit" (oh, shit, it's not even wack) "I ain't gonna front, it's kinda hot" (It's actually kinda hot) Like they still weren't looking at me like a rapper, and I'm sure Dame figured, like "Man, if he do a whole album, if his raps is wack At least we can throw Cam on every song and save the album, you know" So, uh, Dame took me into the office, and he's like "Yo, man, B B, you don't want a brick, you don't want a brick" (You don't wanna catch a brick) "You gotta be under an umbrella, you'll get rained on" I told Hip Hop, and Hip Hop was all, "Oh, word?" Actually, even with that I was still about to take the deal with Capitol 'cause it was already on the table And 'cause of my relationship with 3H That, you know, 'cause I told him I was gonna do it, and I'm a man of my word I was gonna roll with what I said I was gonna do Then, you know, I'm not gonna name no names But people told me, "Oh, he's just a producer-rapper", and told 3H that told the heads of the Capitol And right-, the day I'm talking about, I planned out everything I was gonna do Man, I, I had picked out clothes, I already started booking studio sessions I started arranging my album, thinking of marketing schemes, man, I was ready to go And, and they had Mel call me, they said "Yo, Capitol pulled on the deal" (yo, Capitol pulled out of the deal) And, you know I told them that Roc-A-Fella was interested And I don't know if they thought that was just something I was saying to gas 'em up To try to push the price up or whatever, I went up I called G, I said, "Man, you think we could still get that deal with Roc-A-Fella?" So won't you raise your glass, won't you? So won't you raise your glass, won't you? So won't you raise your glass, won't you? So won't you raise your glass, won't you?