Melodicness
How much the song possesses a clear and memorable tune that follows well-defined musical patterns. A song high in melodicness generally features clear and memorable instrumental or vocal lines.
Acousticness
A measure of how much a song relies on acoustic instruments (eg. piano, guitar, violin, drums, saxophone) instead of electronic or digitally synthesized
Valence
The musical positivity or emotional tone conveyed through the song's harmonic and rhythmic components. High valence corresponds to feelings of happiness, excitement, and euphoria while low valence is associated with sadness, anger, or melancholy.
Danceability
A combination of factors including tempo stability, rhythmic patterns, and beat emphasis to determine how suitable a song is for dancing. A "danceable" song may feature a consistent tempo, repetitive musical structure, and strong downbeats.
Energy
The perceived intensity of a track which may be influenced by tempo, dynamics, and musical compactness. A high energy song may have a driving rhythm and dense instrumentation while a low energy song can be musically sparse and feature slower tempos.
BPM142
Credits
PERFORMING ARTISTS
Negrita
Performer
COMPOSITION & LYRICS
Fabrizio Barbacci
Songwriter
Paolo Bruni
Songwriter
Cesare Petricich
Songwriter
Enrico Salvi
Songwriter
Franco Li Causi
Songwriter
PRODUCTION & ENGINEERING
Fabrizio Barbacci
Producer, Mixing Engineer
Carlo Rossi
Mixing Engineer
![Listen to A Che Ora È la Fine del Mondo? (It's the End of the World as We Know It and I Feel Fine) [Remastered] by Ligabue](https://is1-ssl.mzstatic.com/image/thumb/Music1/v4/86/8b/02/868b023e-78a4-c9d8-f7bf-e278b2fbd23a/825646190010.jpg/375x375cc.webp "Listen to A Che Ora È la Fine del Mondo? (It's the End of the World as We Know It and I Feel Fine) [Remastered] by Ligabue")
