album cover
The Hermit
226
Alternative
The Hermit was released on November 18, 2022 by Weird World as a part of the album The Ruby Cord
album cover
Release DateNovember 18, 2022
LabelWeird World
LanguageEnglish
Melodicness
Acousticness
Valence
Danceability
Energy
BPM

Credits

PERFORMING ARTISTS
Richard Dawson
Richard Dawson
Performer
Rhodri Davies
Rhodri Davies
Choir
COMPOSITION & LYRICS
Richard Dawson
Richard Dawson
Composer, Lyrics, Arranger
PRODUCTION & ENGINEERING
Richard Dawson
Richard Dawson
Producer
Sam Grant
Sam Grant
Producer, Mixing Engineer

Lyrics

I'm awake but I can't yet see;
An eager chiffchaff is heralding me.
The image starts to form of a four-poster bed
sprung in the clarts of a riverbend.
And the Claviger knows
when the beaded shoots go
through the arid interstix of my toes
among the mazed roots of Rowan as
I pass my waste.
Vaporous shafts of a burgeoning sun
skewer the forest-floor onto a world fresh begun
all in the Name of the Harvest,
i.e. our ever-onrushing plasma.
Shadows of leaves
mottled by the cleaves
of caterpillar's ardent mandibles
form a basketweave of glowing mud,
bluebells in bud.
Linen smock
and scarlet-embroidered mantua
descend from alderbranches shined with dew to settle
onto my body.
A little emerald brooch
unclasps itself from moss
to alight upon my breast.
I step into a slipperpair -
exquisite replicas of those worn by
Ada, the Enchantress of Numbers.
Two swallowed cups
of pureed bilberries,
which grow in abundance
by the cornmill ruins:
One hungers for nothing.
Now let's follow
these tracks of a Fallow Deer -
sentences of clay leading away from here.
Out of the yawning dene
and over a gorsey brow vanishes
her black horseshoe rump and tattered tail
into a gossamer vale.
At the heather-tousled crest of
Yeavering Bell we may enter a
stone beacon-tower
from which the eye may
hold a whole sweep of the kingdom:
Hazy marshes, crow-pocked copses,
patchwork meadows labyrinthed with hedgerows
gently declining to a fluff of woodsmoke
clung to the fringe of the North Sea;
The village of Bebba
where once I lived, a
fisher, before I was forced to flee.
*
One fair morn, wrapped in a shawl of salt-mist
I gathered in my pots of White-Clawed Crayfish
and from those sucking sands
did I make my way
dripping to the kitchendoor of the Crossed Keys.
Young Charley Wheatstone, the innkeeper's lad,
with the same star-shaped birthmark as his dad
set square on his chin,
bid me a shy 'hail fellow'
and emptied the squeaking traps
into a pewter trough.
The forlorn brewer, lacking ample coin,
apologised with a token of grubs on a stick
and suggested payment take the form
of an upgrade to my visual and ontoceptual cortexes.
Back in the throes of my then-home -
a blubberlit chamber
off the cliff-crazing tunnels beneath the fort -
I donned Diogenes' Robes, imbibed the Code
and disappeared into a dream of Kittiwakes,
a hundred billion voices echoing around a
dark amphitheatre,
still ringing in my ears
as I went creel in hand
through the Bog of Names.
Upon entering a blossom grove
I went into total spasm as a
storm of info broke abruptly across my retinas.
I came around to an enhanced perception
of every life-form within a ten-yard radius.
Each throbbed with its own aurora.
Utterly awed,
I'd inadvertently drawn to my mind's-eye
a lone Ashy Miner Bee, as if to a plate
under a microscope.
I sobbed as I zoomed among
individual hairs on its forelegs and face
and stared for a long time into the ommatidia.
Performing a scan
on a cache of False Death Caps
I found I could trace their history
all the way back to manufacture.
Slippery Jack, Amethyst Deceiver,
Fairy Rings, Penny Buns, Hen Of The Wood…
I was amazed
scrolling not only the funguses yesterdays
but also their myriad yet-bloomed tomorrows.
With a burden of redcurrants
and wild garlic at my elbow I
wearily made my
way along Crackpool Burn,
joining the coast road at Glororum.
Up ahead I could see what
looked to be a robot knelt in the lane,
revealed at a higher magnification
as a gilt-clad knight of Old
submerged at the waist in
unyielding concrete,
flailing his arms to a windmill of gold.
Lifting up the poor soul's visor
my gaze met with a mask of
vein-popping fury -
or was it abject fear? -
gasping the Chivalric oath.
Then it was over -
he split asunder,
gleaming armour dissolving to unveil
the apprentice of Godwin the Whitesmith, a merest sliver of a man.
Stooped to retrieve the platinum from his mouth I
heard halted hooves and the cry "MURDERER!"
*
Tiny cobles out at sea,
a black wall of cloud in the east
and a taper of rainbow
faintly aglow
amidst their wakes.
Written by: Richard Dawson
instagramSharePathic_arrow_out􀆄 copy􀐅􀋲

Loading...