Interlude
4
Electronic
Interlude was released on January 1, 1999 by [PIAS] Recordings Catalogue as a part of the album Coded Language
Melodicness
How much the song possesses a clear and memorable tune that follows well-defined musical patterns. A song high in melodicness generally features clear and memorable instrumental or vocal lines.
Acousticness
A measure of how much a song relies on acoustic instruments (eg. piano, guitar, violin, drums, saxophone) instead of electronic or digitally synthesized
Valence
The musical positivity or emotional tone conveyed through the song's harmonic and rhythmic components. High valence corresponds to feelings of happiness, excitement, and euphoria while low valence is associated with sadness, anger, or melancholy.
Danceability
A combination of factors including tempo stability, rhythmic patterns, and beat emphasis to determine how suitable a song is for dancing. A "danceable" song may feature a consistent tempo, repetitive musical structure, and strong downbeats.
Energy
The perceived intensity of a track which may be influenced by tempo, dynamics, and musical compactness. A high energy song may have a driving rhythm and dense instrumentation while a low energy song can be musically sparse and feature slower tempos.
BPM135
Credits
PERFORMING ARTISTS
Emma Black
Cello
Louise Hopkins
Cello
Andrew Davies
Double Bass
Krust
Programming
Paul Martin
Viola
Andrew Roberts
Violin
Beverley Davison
Violin
Andrew Byrt
Orchestra
Ann Morfee
Orchestra
Anna Hemery
Orchestra
Clive Howard
Orchestra
Ian Humphries
Orchestra
Richard George
Orchestra
Sophie Langdon
Orchestra
Steve Morris
Orchestra
COMPOSITION & LYRICS
Krust
Composer
PRODUCTION & ENGINEERING
Krust
Producer
