Guilty Conscience
323
Reggae
Guilty Conscience was released on January 1, 1977 by Trojan Records as a part of the album Slave Call
Melodicness
How much the song possesses a clear and memorable tune that follows well-defined musical patterns. A song high in melodicness generally features clear and memorable instrumental or vocal lines.
Acousticness
A measure of how much a song relies on acoustic instruments (eg. piano, guitar, violin, drums, saxophone) instead of electronic or digitally synthesized
Valence
The musical positivity or emotional tone conveyed through the song's harmonic and rhythmic components. High valence corresponds to feelings of happiness, excitement, and euphoria while low valence is associated with sadness, anger, or melancholy.
Danceability
A combination of factors including tempo stability, rhythmic patterns, and beat emphasis to determine how suitable a song is for dancing. A "danceable" song may feature a consistent tempo, repetitive musical structure, and strong downbeats.
Energy
The perceived intensity of a track which may be influenced by tempo, dynamics, and musical compactness. A high energy song may have a driving rhythm and dense instrumentation while a low energy song can be musically sparse and feature slower tempos.
BPM138
Credits
PERFORMING ARTISTS
The Ethiopians
Vocals
Leonard Dillon
Vocals
Stephen Taylor
Vocals
George Fulwood
Bass Guitar
Max Edwards
Drums
Richard Johnson
Keyboards
Earl Smith
Guitar
Tony Chin
Guitar
Enroy Grant
Tenor Saxophone
Lennox Brown
Tenor Saxophone
Vin Gordon
Trombone
Bobby Ellis
Trumpet
COMPOSITION & LYRICS
Leonard Dillon
Songwriter
PRODUCTION & ENGINEERING
Niney the Observer
Recording Engineer
Winston Holness
Producer
Errol Brown
Mixing Engineer
