Good afternoon, Josh, take a seat

Hi there, Dame Judy, just wondering how it works with ticket sales and all that really (indistinct English noises)

Well, yes, yes, it's actually a fantastic opportunity for you and your band, you'll take 40% of the ticket sales

Right

So you get sixty percent

Of everything

Well

The boot

Can shoot

Shoot you down

Or keep

Your frown

Upside down

And his best

Interest is in his mind

He gets

The best slice of your pie

Why you wanna hurt me so bad

You've got me on my knees again

Why you wanna hurt me so bad

You've got me on my knees again

Holding on

To you

Cause holding on

Is what we do

And I know

I have to go

But we will stay

For more

The boot

Can shoot

Shoot you down

He speaks

His views

Oh-so loud

And he don't

Remove

His big old crown

These stomping shoes

Will stand their ground

Why you wanna hurt me so bad

You got me on my knees again

Why you wanna hurt me so bad

You got me on my knees again

Holding on

To you

Because holding on

Is what we do

And I know

I have to go

But we will stay

For more

(Now listen boys)

(Sign the contract)

(I'll take everything)

(I'll make you famous)

One and one and one and one is four (good boys)

I don't ever wanna let you know (come on boys, take the pen, sign the contract)

Just how much you four are really worth (sign the fucking contract)

I know you'll leave me (sign it, fucking sign)

I'm for sure (indistinguishable shark noises)

The boot

Can shoot

Shoot you down

Keeping your frown

Upside down

And his best

Interest is in his mind

He gets

The best slice of your pie

Why you wanna hurt me so bad

You got me on my knees again

So why you wanna hurt me so bad

You got me on my knees again

One and one and one and one is four

I don't ever wanna let you know

Just how much you four are really worth

Cause I know you'll leave me I'm for sure

Oh the boot babe yeah

Ooh the boot

(He's a bad man)