Max and Wells
132
Alternative
Max and Wells was released on February 28, 1995 by Columbia as a part of the album Ball-Hog or Tugboat?
Melodicness
How much the song possesses a clear and memorable tune that follows well-defined musical patterns. A song high in melodicness generally features clear and memorable instrumental or vocal lines.
Acousticness
A measure of how much a song relies on acoustic instruments (eg. piano, guitar, violin, drums, saxophone) instead of electronic or digitally synthesized
Valence
The musical positivity or emotional tone conveyed through the song's harmonic and rhythmic components. High valence corresponds to feelings of happiness, excitement, and euphoria while low valence is associated with sadness, anger, or melancholy.
Danceability
A combination of factors including tempo stability, rhythmic patterns, and beat emphasis to determine how suitable a song is for dancing. A "danceable" song may feature a consistent tempo, repetitive musical structure, and strong downbeats.
Energy
The perceived intensity of a track which may be influenced by tempo, dynamics, and musical compactness. A high energy song may have a driving rhythm and dense instrumentation while a low energy song can be musically sparse and feature slower tempos.
BPM66
Credits
PERFORMING ARTISTS
Mike Watt
Bass
Mark Lanegan
Performer
J Mascis
Guitar
Todd Rigione
Guitar
Brock Avery
Drums
COMPOSITION & LYRICS
Mike Watt
Composer
PRODUCTION & ENGINEERING
Mike Watt
Producer
Matthew Ellard
Assistant Engineer
Frank Gryner
Assistant Engineer
Bob Lang
Assistant Engineer
Steve Culp
Assistant Engineer
HOLLOW BASTION
Assistant Engineer
Rojo
Assistant Engineer
David Kahne
Mixing Engineer
John Golden
Mastering Engineer
John Hanlon
Recording Engineer

