In: Sanity Suite: Part I-skull Job
25
Jazz
In: Sanity Suite: Part I-skull Job was released on September 28, 1976 by Black Saint as a part of the album In: Sanity
Melodicness
How much the song possesses a clear and memorable tune that follows well-defined musical patterns. A song high in melodicness generally features clear and memorable instrumental or vocal lines.
Acousticness
A measure of how much a song relies on acoustic instruments (eg. piano, guitar, violin, drums, saxophone) instead of electronic or digitally synthesized
Valence
The musical positivity or emotional tone conveyed through the song's harmonic and rhythmic components. High valence corresponds to feelings of happiness, excitement, and euphoria while low valence is associated with sadness, anger, or melancholy.
Danceability
A combination of factors including tempo stability, rhythmic patterns, and beat emphasis to determine how suitable a song is for dancing. A "danceable" song may feature a consistent tempo, repetitive musical structure, and strong downbeats.
Energy
The perceived intensity of a track which may be influenced by tempo, dynamics, and musical compactness. A high energy song may have a driving rhythm and dense instrumentation while a low energy song can be musically sparse and feature slower tempos.
BPM152
Credits
PERFORMING ARTISTS
Coleridge Barbour
Performer
Hamiet Bluiett
Performer
Dave Burrell
Performer
Sunil Garg
Performer
Beaver Harris
Performer
Francis Haynes
Performer
Alston Jack
Performer
Azar Lawrence
Performer
Keith Marks
Performer
Cecil McBee
Performer
Roger Sardinha
Performer
Titos Sompa
Performer
Michael Sorzano
Performer
Three Hundred And Sixty Degree Music Experience
Performer
COMPOSITION & LYRICS
Beaver Harris
Composer
