Jah Guide
11,039
Reggae
Jah Guide was released on January 1, 1977 by Columbia/Legacy as a part of the album Equal Rights (Legacy Edition)
Melodicness
How much the song possesses a clear and memorable tune that follows well-defined musical patterns. A song high in melodicness generally features clear and memorable instrumental or vocal lines.
Acousticness
A measure of how much a song relies on acoustic instruments (eg. piano, guitar, violin, drums, saxophone) instead of electronic or digitally synthesized
Valence
The musical positivity or emotional tone conveyed through the song's harmonic and rhythmic components. High valence corresponds to feelings of happiness, excitement, and euphoria while low valence is associated with sadness, anger, or melancholy.
Danceability
A combination of factors including tempo stability, rhythmic patterns, and beat emphasis to determine how suitable a song is for dancing. A "danceable" song may feature a consistent tempo, repetitive musical structure, and strong downbeats.
Energy
The perceived intensity of a track which may be influenced by tempo, dynamics, and musical compactness. A high energy song may have a driving rhythm and dense instrumentation while a low energy song can be musically sparse and feature slower tempos.
BPM151
Credits
PERFORMING ARTISTS
Peter Tosh
Vocals
Bunny Waller
Background Vocals
Al Anderson
Guitar
Karl Pitterson
Guitar
Abdul Wall
Guitar
Skully
Percussion
Sly Dunbar
Drums
Carlie Barrett
Drums
Earl Lindo
Keyboards
Tyrone Downie
Keyboards
Robbie Shakespeare
Bass
Dirty & Harry
Tenor Saxophone
Bobby Ellis
Trumpet
COMPOSITION & LYRICS
Peter Tosh
Composer
PRODUCTION & ENGINEERING
Peter Tosh
Producer
Pauline Morris
Executive Producer
Bruce Dickinson
Reissue Producer
Chris Athens
Mastering Engineer
![Listen to The Day the Dollar Die (2002) [Remastered] by Peter Tosh](https://is1-ssl.mzstatic.com/image/thumb/Music124/v4/13/71/8e/13718eb4-2817-8faf-42a7-c51d30f6faf6/0724358279559_375x375_300dpi.jpg/800x800cc.webp "Listen to The Day the Dollar Die (2002) [Remastered] by Peter Tosh")
