Melodicness
How much the song possesses a clear and memorable tune that follows well-defined musical patterns. A song high in melodicness generally features clear and memorable instrumental or vocal lines.
Acousticness
A measure of how much a song relies on acoustic instruments (eg. piano, guitar, violin, drums, saxophone) instead of electronic or digitally synthesized
Valence
The musical positivity or emotional tone conveyed through the song's harmonic and rhythmic components. High valence corresponds to feelings of happiness, excitement, and euphoria while low valence is associated with sadness, anger, or melancholy.
Danceability
A combination of factors including tempo stability, rhythmic patterns, and beat emphasis to determine how suitable a song is for dancing. A "danceable" song may feature a consistent tempo, repetitive musical structure, and strong downbeats.
Energy
The perceived intensity of a track which may be influenced by tempo, dynamics, and musical compactness. A high energy song may have a driving rhythm and dense instrumentation while a low energy song can be musically sparse and feature slower tempos.
BPM136
Music Video
Music Video
Credits
PERFORMING ARTISTS
New Order
Performer
Bernard Sumner
Vocals
Peter Hook
Bass Guitar
Phil Cunningham
Synthesizer
Stephen Morris
Drums
COMPOSITION & LYRICS
Bernard Sumner
Songwriter
Peter Hook
Songwriter
Phil Cunningham
Songwriter
Stephen Morris
Songwriter
PRODUCTION & ENGINEERING
Bernard Sumner
Producer
Peter Hook
Producer
Phil Cunningham
Producer
Stephen Morris
Producer
Frank Arkwright
Mastering Engineer
Jim Spencer
Mixing Engineer
![Listen to Newcastle (From Playford's "The English Dancing Master") [Arr. Christina Pluhar] by Christina Pluhar & L'Arpeggiata](https://is1-ssl.mzstatic.com/image/thumb/Music211/v4/29/85/9f/29859f3f-5c97-658b-5e26-0720fcbd6b05/5021732533760.jpg/375x375cc.webp "Listen to Newcastle (From Playford's \"The English Dancing Master\") [Arr. Christina Pluhar] by Christina Pluhar & L'Arpeggiata")
