Like It Is
1,133
Swing
Like It Is was released on January 1, 2019 by Release the Kraken as a part of the album In Love with Basie
Melodicness
How much the song possesses a clear and memorable tune that follows well-defined musical patterns. A song high in melodicness generally features clear and memorable instrumental or vocal lines.
Acousticness
A measure of how much a song relies on acoustic instruments (eg. piano, guitar, violin, drums, saxophone) instead of electronic or digitally synthesized
Valence
The musical positivity or emotional tone conveyed through the song's harmonic and rhythmic components. High valence corresponds to feelings of happiness, excitement, and euphoria while low valence is associated with sadness, anger, or melancholy.
Danceability
A combination of factors including tempo stability, rhythmic patterns, and beat emphasis to determine how suitable a song is for dancing. A "danceable" song may feature a consistent tempo, repetitive musical structure, and strong downbeats.
Energy
The perceived intensity of a track which may be influenced by tempo, dynamics, and musical compactness. A high energy song may have a driving rhythm and dense instrumentation while a low energy song can be musically sparse and feature slower tempos.
BPM120
Credits
PERFORMING ARTISTS
Heart of Dixie
Performer
COMPOSITION & LYRICS
Erroll Garner
Composer
![Listen to How Great Thou Art (Until That Day) [feat. Chris Tomlin, Hillary Scott, Cody Carnes, Kari Jobe, Naomi Raine, TAYA, Blessing Offor, Brian Johnson, Jenn Johnson, Matt Maher, Mitch Wong, Benjamin William Hastings, Pat Barrett, Jon Reddick & Ryan Ellis] [Live] by Matt Redman](https://is1-ssl.mzstatic.com/image/thumb/Music221/v4/c0/e9/47/c0e9475e-88df-6ccc-4af5-c61949df9185/0000768921258.png/375x375cc.webp "Listen to How Great Thou Art (Until That Day) [feat. Chris Tomlin, Hillary Scott, Cody Carnes, Kari Jobe, Naomi Raine, TAYA, Blessing Offor, Brian Johnson, Jenn Johnson, Matt Maher, Mitch Wong, Benjamin William Hastings, Pat Barrett, Jon Reddick & Ryan Ellis] [Live] by Matt Redman")
