Memphis
527
Pop
Memphis was released on January 15, 1964 by Parlophone UK as a part of the album Stay with the Hollies
Melodicness
How much the song possesses a clear and memorable tune that follows well-defined musical patterns. A song high in melodicness generally features clear and memorable instrumental or vocal lines.
Acousticness
A measure of how much a song relies on acoustic instruments (eg. piano, guitar, violin, drums, saxophone) instead of electronic or digitally synthesized
Valence
The musical positivity or emotional tone conveyed through the song's harmonic and rhythmic components. High valence corresponds to feelings of happiness, excitement, and euphoria while low valence is associated with sadness, anger, or melancholy.
Danceability
A combination of factors including tempo stability, rhythmic patterns, and beat emphasis to determine how suitable a song is for dancing. A "danceable" song may feature a consistent tempo, repetitive musical structure, and strong downbeats.
Energy
The perceived intensity of a track which may be influenced by tempo, dynamics, and musical compactness. A high energy song may have a driving rhythm and dense instrumentation while a low energy song can be musically sparse and feature slower tempos.
Credits
PERFORMING ARTISTS
The Hollies
Vocals
Eric Haydock
Bass Guitar
Bobby Elliott
Drums
Tony Hicks
Vocals
Graham Nash
Vocals
COMPOSITION & LYRICS
Chuck Berry
Songwriter
PRODUCTION & ENGINEERING
Peter Bown
Recording Engineer
Ron Richards
Producer
