album cover
Stalker
47
Pop
Stalker adlı parça {albumName} albümünün bir parçası olarak Out of Line Music tarafından 26 Temmuz 2024 tarihinde yayınlandıGhost House Sessions, Vol. 1
album cover
Çıkış Tarihi26 Temmuz 2024
FirmaOut of Line Music
DilEnglish
Melodiklik
Akustiklik
Valence
Dans Edilebilirlik
Enerji
BPM100

Müzik Videosu

Müzik Videosu

Krediler

PERFORMING ARTISTS
Ashbury Heights
Ashbury Heights
Performer
COMPOSITION & LYRICS
PRODUCTION & ENGINEERING

Şarkı sözleri

I am glitter and feathers of crows and leather
I am breaking cause none of it fits together
I am talons, and rainbows, and unseen highs and lows
I am pain from a place that we're not supposed to know
I am signal
Stalker's on the line, telling me I'm fine
Mother's on the flipside
The city's out of time, smoking like a fire
Mother's on the flipside
Stalker's in distress, she's company I guess
Mother's on the flipside
The world is out of frame, and I am out of game
Mother's on the flipside
All I've seen made me falter and then the stalker came
I kept my head down and went on living with my dead name
I kept myself in the closet like some old wedding gown
I wore my self imposed erasure like a paper crown
I am signal
Stalker's on the line, telling me I'm fine
Mother's on the flipside
The city's out of time, smoking like a fire
Mother's on the flipside
Stalker's in distress, she's company I guess
Mother's on the flipside
The world is out of frame, and I am out of game
Mother's on the flipside
Stalker's on the line, telling me I'm fine
Mother's on the flipside
The city's out of time, smoking like a fire
Mother's on the flipside
Stalker's in distress, she's company I guess
Mother's on the flipside
The world is out of frame, and I am out of game
Mother's on the flipside
Stalker's on the line, telling me I'm fine
Mother's on the flipside
The city's out of time, smoking like a fire
Mother's on the flipside
Stalker's in distress, she's company I guess
Mother's on the flipside
The world is out of frame, and I am out of game
Mother's on the flipside
Written by: Anders Hagström
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