Şurada:
Daft Punk'in En Sevilen Şarkıları
Benzer Şarkılar
Krediler
PERFORMING ARTISTS
Giorgio Moroder
Vocals
Chris Caswell
Keyboards
Nathan East
Bass Guitar
James Genus
Bass Guitar
John "J.R." Robinson
Drums
Omar Hakim
Drums
Alma Fernandez
Viola
Andrew Picken
Viola
Andy Martin
Trombone
Armen Ksajikian
Cello
Assa Drori
First Violin
Audrey Solomon
Violin
Bob McChesney
Trombone
Brian Kilgore
Percussion
Calabria McChesney
Violin
Carolyn Riley
Viola
Carrie Kennedy
Violin
Charles Loper
Trombone
Charlie Morillas
Trombone
Christina Soule
Cello
Chuck Berghofer
Double Bass
Chuck Findley
Trumpet
Craig Gosnell
Bass Trombone
Cynthia Moussas
Violin
Danielle Ondarza
French Horn
David Kossoff
English Horn
Donald V. Ferrone
Double Bass
Doug Walter
Orchestra Conductor
Drew Dembowski
Double Bass
Earl Dumler
Oboe
Gary Grant
Trumpet
Gene Cipriano
Clarinet
Greg Huckins
Flute
Greg Leisz
Pedal Steel Guitar
Guy-Manuel de Homem-Christo
Synthesizer
Harry Shirinian
Viola
Irina Voloshina
Violin
Jim Atkinson
French Horn
Jody Rubin
Viola
Joel Pargman
Violin
Johana Krejci
Violin
Judith Farmer
Bassoon
Justin Hageman
French Horn
Kevin Connolly
Violin
Larry McGuire
Trumpet
Lisa Dondlinger
Violin
Lisa Sutton
Violin
Margaret Wooten
Violin
Mark Converse
Percussion
Marty Krystall
Clarinet
Mary Sloan
Violin
Miwako Watanabe
Violin
Nathan Campbell
French Horn
Neel Hammond
Violin
Nina Evtuhov
Violin
Olivia Tsui
Violin
Paula Hochhalter
Cello
Quinn Smith
Percussion
Rafael Rishik
Violin
Ray Tischer
Viola
Rita Weber
Violin
Rodney Wirtz
Viola
Roland Kato
Viola
Samuel Fischer
Violin
Sara Andon
Flute
Sara Parkins
Violin
Songa Lee
Violin
Stephanie O'Keefe
French Horn
Steve Kajala
Flute
Steve Kajala
Flute
Thomas Bangalter
Synthesizer
Timothy Loo
Cello
Vanessa Freebairn-Smith
Cello
Warren Luening
Trumpet
COMPOSITION & LYRICS
Thomas Bangalter
Songwriter
Giorgio Moroder
Songwriter
Guy-Manuel de Homem-Christo
Songwriter
Chris Caswell
Arranger
PRODUCTION & ENGINEERING
Thomas Bangalter
Producer
Guy-Manuel de Homem-Christo
Producer
Peter Franco
Recording Engineer
Mick Guzauski
Mixing Engineer
Florian Lagatta
Recording Engineer
Guillaume Le Braz
Vocal Recording Engineer
Daniel Lerner
Recording Engineer
Seth Waldmann
Assistant Recording Engineer
Cory Brice
Assistant Recording Engineer
Nicolas Essig
Assistant Recording Engineer
Eric Eylands
Assistant Recording Engineer
Derek Karlquist
Assistant Recording Engineer
Miguel Lara
Assistant Recording Engineer
Mike Larson
Assistant Recording Engineer
Bill Rahko
Assistant Recording Engineer
Kyle Stevens
Assistant Recording Engineer
Doug Tyo
Assistant Recording Engineer
Eric Weaver
Assistant Recording Engineer
Alana Da Fonseca
Additional Engineer
Phil Joly
Additional Engineer
Bob Ludwig
Mastering Engineer
Chab
Mastering Engineer
Charlie Paakkari
Assistant Recording Engineer
David Channing
Editing Engineer
Gus Koven
Sound Design
Gus Koven
Sound Design
Kevin Mills
Assistant Recording Engineer
Şarkı sözleri
When I was fifteen, sixteen, when I really started to play guitar
I definitely wanted to become a musician
It was almost impossible because, it was, the dream was so big
That I didn't see any chance because I was living in a little town, was studying
And when I finally broke away from school and became a musician
I thought "Well, now I may have a little bit of a chance"
Because all I really wanted to do is music and not only play music, but compose music
At that time, in Germany, in '69, '70, they had already discotheques
So, I would take my car, would go to a discotheque, sing, maybe, thirty minutes
I think I had about seven, eight songs
I would partially sleep in the car
Because I didn't want to drive home and that helped me for about, almost two years
To survive
In the beginning
I wanted to do an album with the sounds of the '50s, the sounds of the '60s, of the '70s
And then have a sound of the future
And I said, "Wait a second
I know the synthesizer, why don't I use the synthesizer, which is the sound of the future?"
And I didn't have any idea what to do, but I knew I needed a click, so we put a click on the 24-track
Which then was then synced to the Moog Modular
I knew that could be a sound of the future, but I didn't realize how much the impact it would be
My name is Giovanni Giorgio, but everybody calls me Giorgio
Once you're free of mind about the concept of harmony and of music being "correct"
You can do whatever you want
So, nobody told me what to do
And there was no preconception of what to do
Writer(s): Thomas Bangalter, Guy Manuel Homem Christo, Giorgio Moroder
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