旋律性
歌曲的曲调是否清晰易记,是否遵循了明确的音乐模式。旋律性强的歌曲一般具有清晰、令人难忘的器乐或声线。
不插电
衡量一首歌曲对不插电乐器(例如钢琴、吉他、小提琴、鼓、萨克斯)而非电子或数字合成的依赖程度
Valence
通过歌曲的和声和节奏成分,传达的音乐积极性或情感基调。高情感值与幸福、兴奋和愉悦的感觉相对应,而低情感值则与悲伤、愤怒或忧郁有关。
舞蹈性
综合各种因素,包括节奏的稳定性、节奏模式和节拍重点,来确定一首歌曲是否适合跳舞。一首“适合跳舞”的歌曲可能具有稳定的节奏、重复的音乐结构和强烈的重拍。
能量
曲目的感知强度,可能受节奏、动态和音乐紧凑程度的影响。一首高能量的歌曲可能节奏欢快、乐器编配丰富,而一首低能量的歌曲则可能音乐编配简洁、节奏较慢。
BPM96
制作
出演艺人
Twiztid
表演者
作曲和作词
Jamie Spaniolo
作曲家
Paul Methric
作曲家
制作和工程
Fritz VanKosky
制作人
Jamie Spaniolo
制作人
Paul Methric
制作人
歌词
We the exact opposite from you ignorant, counterfeit
Normal motherfuckers so proud of the innocence
Forever in this bitch, fuckin' with the dead
With invisible X's in the middle of our foreheads
What would you call us? Actin' like you don't know
In the midst of the Twiztid Serial Killin' Juggalos
We stay different, I guess different minds think alike
We the children of the night
You don't wanna fight (That's right)
'Cause if it gets to swingin' there's goin' be more than feelin's hurt up in here tonight
That's what it's like when you're fuckin' with us
And then you get fucked up and shit is, Oh, so serious
Don't even speak on us
Now I know, that everyone got their own personal reason for hatin' us
But I don't care bitch, shut the fuck up
Try strange, deranged, divine, and different
I'm DIFFERENT! (I'm not like you)
I'm DIFFERENT! (I like fuckin' with voodoo)
I'm DIFFERENT! (I come from the darkside)
I'm DIFFERENT! (I've seen the dead come alive)
I'm DIFFERENT! (I'm not like you)
I'm DIFFERENT! (I like fuckin' with voodoo)
I'm DIFFERENT! (I come from the darkside)
I'm DIFFERENT! (I've seen the dead come alive)
Treated different by the rest of the world, 'cause of my axe
The tripped out raps, and the bugged ass contacts
Not normal, nothin' in comparison
So stop frontin' bitch, you's embarrisin' (HOE)
Separated from the rest at birth
And the blood in my veins is cursed
I'm leavin' the Earth, represented by killas and juggalos
And all that don't know should die like some dumb hoes
My contagious mind state spreads quicker
Than the cold in most states
And I hope you both hate (HATER)
Can't stop what you can't see
I'm slippin' in through your backdoor, tyin' up your family
Unexpected, and unexplained
I'm underground, and I'm INSAAAAANE
People gonna talk the talk, but I'mma walk the walk
And leave ya drawn in chalk, bitch
I'm DIFFERENT! (I'm not like you)
I'm DIFFERENT! (I like fuckin' with voodoo)
I'm DIFFERENT! (I come from the darkside)
I'm DIFFERENT! (I've seen the dead come alive)
I'm DIFFERENT! (I'm not like you)
I'm DIFFERENT! (I like fuckin' with voodoo)
I'm DIFFERENT! (I come from the darkside)
I'm DIFFERENT! (I've seen the dead come alive)
I'm different like I never existed
Different like that 50 pack, smokin' bud toker from Twiztid
I'm DIFFERENT, like I'm segregated
No, hold up, fuck that, a better word is "Player Hated"
DIFFERENT, 'cause it's so for real
And if you come with weak shit, the axe I'll wield
I said DIFFERENT, you can see it in my soul
I'm different 'cause I'm Twiztid for life wit' juggalos
We walk through walls, sleep with the bats
Been to Heaven and Hell and still can't relax
I'm DIFFERENT, at least my mama called me strange
Said that I would be dangerous if I was given a brain
I'm a serial killa, that's what I amounted to be
And there's more than a thin line between you and me
I live behind the mirror and I'm every bad dream
So believe what you heard and see, because I'm different
I'm DIFFERENT! (I'm not like you)
I'm DIFFERENT! (I like fuckin' with voodoo)
I'm DIFFERENT! (I come from the darkside)
I'm DIFFERENT! (I've seen the dead come alive)
I'm DIFFERENT! (I'm not like you)
I'm DIFFERENT! (I like fuckin' with voodoo)
I'm DIFFERENT! (I come from the darkside)
I'm DIFFERENT! (I've seen the dead come alive)
I'm DIFFERENT! (I'm not like you)
I'm DIFFERENT! (I like fuckin' with voodoo)
I'm DIFFERENT! (I come from the darkside)
I'm DIFFERENT! (I've seen the dead come alive)
I'm DIFFERENT! (I'm not like you)
I'm DIFFERENT! (I like fuckin' with voodoo)
I'm DIFFERENT! (I come from the darkside)
I'm DIFFERENT! (I've seen the dead come alive)
Written by: Jamie Spaniolo, Paul Methric

