旋律性
歌曲的曲调是否清晰易记,是否遵循了明确的音乐模式。旋律性强的歌曲一般具有清晰、令人难忘的器乐或声线。
不插电
衡量一首歌曲对不插电乐器(例如钢琴、吉他、小提琴、鼓、萨克斯)而非电子或数字合成的依赖程度
Valence
通过歌曲的和声和节奏成分,传达的音乐积极性或情感基调。高情感值与幸福、兴奋和愉悦的感觉相对应,而低情感值则与悲伤、愤怒或忧郁有关。
舞蹈性
综合各种因素,包括节奏的稳定性、节奏模式和节拍重点,来确定一首歌曲是否适合跳舞。一首“适合跳舞”的歌曲可能具有稳定的节奏、重复的音乐结构和强烈的重拍。
能量
曲目的感知强度,可能受节奏、动态和音乐紧凑程度的影响。一首高能量的歌曲可能节奏欢快、乐器编配丰富,而一首低能量的歌曲则可能音乐编配简洁、节奏较慢。
BPM117
歌词
[Verse 1]
H-here I am again
Here I am sitting in the waiting room
Waiting for an appointment
That I had booked six months ago
I'm feeling very low
Yes, I was shitting bricks
At the prospect of existence without you
And so I gave it one more go
But my story didn't stick
Then suddenly it clicked
Some allergies, you tolerate
And some habits, you just have to kick
[Verse 2]
I, I saw you on your back
Amongst the peanut shells
That were scattered on the floor of the big top
Right next to the overwhelming sense
Of impending doom, but no one even asked
Or mentioned anything to me about the
Elephant in the room, when suddenly it clicked
Some allergies, you tolerate
And some habits, you will
[Verse 3]
You gotta bite the bullet and get it fixed
You gotta get it seen to, so see to it
That the story sticks, that the story sticks
That the story sticks, that the story sticks
[Verse 4]
You gotta b-bite the bullet and get it fixed
Get it seen to, so see to it
That the story sticks, that the story sticks
That the story sticks, that the story sticks, ah
[Verse 5]
You always said that you'd met and fell in love at the circus
And that's why you loved animals so much
So much so that you'd bought a big dog with little ears
And called it Dumbo
Which was a joke that got less and less funny every time
Obviously you brought the dog along that night
When you showed up otherwise alone to my dinner party
Having already rang ahead to ensure that all of my dishes
Had been prepared in a completely nut-free environment
Now quipping that it was for the sake of your ‘imaginary' husband
'Cause several years on from the wedding
That none of us were invited to
We still hadn't met him, even though you always said he was coming
Before suddenly he couldn't make it because he went away a lot with work
But mainly because he didn't really exist
And you broke down in tears in my kitchen
Certain he was seeing somebody else
How reckless we'd all been to tolerate your fabricated reality
But until then, I didn't have the guts
To put an end to the ever-maddening scenes
So with a solemn nod and totemic silence
I walked over to the cupboard where I kept the snacks
Took a pinch of dry roasted dust from the loose-pegged bag
Sprinkled it into the upturned palms of your trembling hands and said
"If you just rub some of this round the rim of his can
Then no one will know, but we'll all understand"
It takes real guts to fake being nuts
And it takes real nuts to break fake guts
[Verse 6]
Yeah, yeah, yeah
You gotta b-bite the bullet and get it fixed
You gotta get it seen to, so see to it
That the story sticks, that the story sticks
That the story sticks, that the story sticks
[Verse 7]
You gotta b-bite the bullet and get it fixed
Get it seen to, so see to it
That the story sticks, that the story sticks
That the story sticks, that the story sticks
[Verse 8]
'Cause stories that don't stick
Mean someone's bound to twig
Your alibis cooperate or they will be
Fed to all the pigs
Written by: James Smith

