旋律性
歌曲的曲调是否清晰易记,是否遵循了明确的音乐模式。旋律性强的歌曲一般具有清晰、令人难忘的器乐或声线。
不插电
衡量一首歌曲对不插电乐器(例如钢琴、吉他、小提琴、鼓、萨克斯)而非电子或数字合成的依赖程度
Valence
通过歌曲的和声和节奏成分,传达的音乐积极性或情感基调。高情感值与幸福、兴奋和愉悦的感觉相对应,而低情感值则与悲伤、愤怒或忧郁有关。
舞蹈性
综合各种因素,包括节奏的稳定性、节奏模式和节拍重点,来确定一首歌曲是否适合跳舞。一首“适合跳舞”的歌曲可能具有稳定的节奏、重复的音乐结构和强烈的重拍。
能量
曲目的感知强度,可能受节奏、动态和音乐紧凑程度的影响。一首高能量的歌曲可能节奏欢快、乐器编配丰富,而一首低能量的歌曲则可能音乐编配简洁、节奏较慢。
BPM130
制作
出演艺人
Marcos
表演者
作曲和作词
Cesar Alejandro Izaguirre
词曲作者
Toni Ordaz
词曲作者
Chris Rez
词曲作者
Homero Solis III
词曲作者
Jessie Joe Morales
词曲作者
歌词
When you think that you already know everything that has been done in Cape Verdean music during the last 5 decades, it is hard to discover something that will surprise you. Trust us. We have found that something.
Saudade is the first and only release from Marcos, an unheard gem from Cape Verde that was sitting in one of Lisbon's warehouses at São Bento for us to discover. Unheard until now, we have been searching for the past 4 years about this record and the existence of other copies.
Recorded during the 80s, the record is estimated to have been self-released in 1984. This constitutes another episode in the motion that started in the late 70s, where musicians from Cape Verde would visit Lisbon and acquire studio package deals to record a full album. We need to put a strong emphasis on the world 'deal' here because that's really what it was: a pure transactional operation.
Bands would come and pay for a bundle of studio time, including a fee to rent the 2" studio tapes, mixing and mastering, photography services if needed, reproduction of the final work, and sometimes a room for the whole band to sleep on. But if you were just a singer-songwriter travelling alone, that wouldn't be a problem since the studios included sessions bands that could help you play your compositions, or even help you create and write them. At the end of the deal, your vinyl copies would arrive from the factory, the band would continue the trip, normally up north to Rotterdam or Paris, and the analogue tapes would be erased to restart the process for someone else.
This endeavour was recorded in Portugal in Musicorde in Campo de Ourique. Today an upscale area of the city, but back then one of the main neighbourhoods where the Cape Verdean diaspora settled after the 50s and 60s emigration high - responses to Portugal's increasing need for cheap construction labour and to the crisis in the Sahel region. The other musicians in the record were part of studio's rooster, including the notorious Paulino Vieira, which participated in more than 50% of the Cape Verdean records of the time in Lisbon, along with the well-known Chibanga on drums, Kikas and Casimiro both on guitar and organ, and the strange and unknown character by the name of Live on bass guitar.
Probably one of the most obscure and undiscovered gems coming from the West Africa region. The 6 tracks recorded on this LP are genuine treasures of Funaná, with no synthesizers, just keyboards, guitars, drums, bass, and the warm voice of Marcos that doesn't stray far from giving us glimpses of Morna and Coladera. Finally, a detail needs to be made to Ncata Bebe, since this track brings a groovy feel that is not common to Funaná: a drum that is heavy on the foot with a highly present snare, a piano that sways like its in New Orleans, and a melodic voice that reminds us of some smooth and sadder songs from Zamrock.
Until date, only a handful number of copies are known to exist, with two of them belonging to us. First time ever reissue available at Comets Coming!
Written by: Cesar Alejandro Izaguirre, Chris Rez, Homer Solis, Jes Morales, Toni Ordaz

