Settle the Score 由 B.U.K.A. courtesy of Big Fish Media 于 2000年1月1日 发行，作为专辑“Hip Hop”的一部分。
BPM
旋律性
歌曲的曲调是否清晰易记，是否遵循了明确的音乐模式。旋律性强的歌曲一般具有清晰、令人难忘的器乐或声线。
不插电
衡量一首歌曲对不插电乐器（例如钢琴、吉他、小提琴、鼓、萨克斯）而非电子或数字合成的依赖程度
Valence
通过歌曲的和声和节奏成分，传达的音乐积极性或情感基调。高情感值与幸福、兴奋和愉悦的感觉相对应，而低情感值则与悲伤、愤怒或忧郁有关。
舞蹈性
综合各种因素，包括节奏的稳定性、节奏模式和节拍重点，来确定一首歌曲是否适合跳舞。一首“适合跳舞”的歌曲可能具有稳定的节奏、重复的音乐结构和强烈的重拍。
能量
曲目的感知强度，可能受节奏、动态和音乐紧凑程度的影响。一首高能量的歌曲可能节奏欢快、乐器编配丰富，而一首低能量的歌曲则可能音乐编配简洁、节奏较慢。
歌词
Yo
You know what, man?
A lot of people think they can rap, man
You know?
Think they be rhymers and all this and this
Just because of what they got
Youknowmsayin?
Just cause of what they drive
But they don't understand, man
This is poetry
This is a artform
This is what we do
And..
If you can't do it, it don't matter +what+ you got
Check it out
Let me talk for a moment and discuss all the perimeters
The real reason why MC's remain amateur
Just examine the delivery and stamina
Focus in like a camera, see what I'm handin ya
Is the recipe, the basics and neccessities
For those who's blessin thee, mic, but too aggressively
Relax, man, let it come natural, feel the ecstacy
When you're holdin the mic, you should expect to be
In a mindframe that 'no one can stand next to me'
Blowin spots is the destinies of the best MC's
And the rest? Well, they settle for less
Here's a 'classic example' like A Tribe Called Quest
We got jokers in the industry who never paid dues
Cause their cousin brother mother knew somebody who knew
And you know how that goes, political, and it's critical
The charts are full of MC's who lyrically are pitiful
That's like sayin analog would sound better than digital
Rap is outta control, this why this time is pivotal
For us to make a change from the youngest to the oldest
Humblin these cats who swear up and down they the coldest
Frontin like they're boldest when they know they cannot hold this
If you can't protect your neck then you just be head and shoulders
I swear, cause these lyrics comin sharp like shear
So put my name up in your mouth, I double-dare you, yeah
Yeah, some MC's are rich, yeah, some MC's are poor
But none of that will be a factor once we settle the score
So we can do it like this or do it like that
Cause it don't matter where you're are because I bring it where you're at
I heard some MC's wanna get down
Put your shit down and have a sit-down
Forget the studio and the mixdown
It's time to set it, you talkin loud without the credit
You clean like a radio edit
You couldn't tell that the styles that I use are embedded like Dyanetics
Rhymes on time like FedEx
Alert the medics, it's about to get messy
Dirty like an SP-1200, backdoor like alley hoops
It's the way I enter ciphers, spark it like a lighter
Freestyles off the top for herbs and rhyme biters
J. Sands, focusin 360 degrees
With my plans for revolution, for land and currency
But for now I'm in the Pittsburgh streets
In all the sections cause in my section
I make moves like I was destined
To be a visualser with deep thoughts perplexin
Detection negative force in all directions
Usin microphones to broadcast suggestions
Of devil wizardry and black folk mysery
MC's fallin captive because their skills are not adaptive
I rock the East Coast and every city on the atlas
You paranoid, actin all sheist around your boys
Didn't use your own style, so you use the decoy
Now you're shadowed by a character you cannot destroy
Check your reflection, your whole concept needs an inspection
You can take it personal or consider this strictly business
Allah's my witness, I got the knack for lyric fitness
Have you duckin me like I was a Jehova Witness on your front porch
You know the repertoire, kid, you don't want more
Okay then what you run for, your ego's crushed, now you at the gun store?
Countin your chances hopin for one more
Sayin to yourself, 'I'm gonna get Sands', a slick plan
You never shoulda thought up, now you gettin nada
God don't like ugly so as you proceeded to plug me
????? Goretex boots and rugbies
A 'frantic situation' like the Zulu Nation
You shoulda used ???? they help you balancin your p.h.'in
Snake type tactics, curse all those who practice
If it comes around, then it goes around on the axis
A powerfull impact make your ??ass back??
After no one will ever wanna touch you like a cactus
The law of the shady, be it and then you'll see it
Reflected by three-fold from the way which you directed
It, to put it simple, you just need to quit
You just a mediocre rhymer but you still talk shit
You just a mediocre rapper and you still talk shit
It don't matter what your name is, you can still get dissed
Written by: Jason Rawls
