旋律性
歌曲的曲调是否清晰易记,是否遵循了明确的音乐模式。旋律性强的歌曲一般具有清晰、令人难忘的器乐或声线。
不插电
衡量一首歌曲对不插电乐器(例如钢琴、吉他、小提琴、鼓、萨克斯)而非电子或数字合成的依赖程度
Valence
通过歌曲的和声和节奏成分,传达的音乐积极性或情感基调。高情感值与幸福、兴奋和愉悦的感觉相对应,而低情感值则与悲伤、愤怒或忧郁有关。
舞蹈性
综合各种因素,包括节奏的稳定性、节奏模式和节拍重点,来确定一首歌曲是否适合跳舞。一首“适合跳舞”的歌曲可能具有稳定的节奏、重复的音乐结构和强烈的重拍。
能量
曲目的感知强度,可能受节奏、动态和音乐紧凑程度的影响。一首高能量的歌曲可能节奏欢快、乐器编配丰富,而一首低能量的歌曲则可能音乐编配简洁、节奏较慢。
BPM123
制作
出演艺人
Enablers
表演者
Yuma Joe Byrnes
采样器
Kevin Thomson
采样器
Joe Goldring
采样器
Pete Simonelli
采样器
作曲和作词
Enablers
词曲作者
Kevin Thomson
词曲作者
Yuma Joe Byrnes
词曲作者
Joe Goldring
词曲作者
Pete Simonelli
词曲作者
歌词
Drop back.
Scan the smalls things rushing to a dark clutch of weather above the busy street.
You once said that we are smarter in our dreams you also said that words were important,
and they were said. Or so it was said anyway.
Thrush of traffic and wind: a natty legion of cirrus cloud streams over the inland peaks,
a slow, brawny pace it converges in roiled plumes and drives steadily onward,
marching across the sky, the way newer skins converge and cover the body.
So many words that maybe there might've been an inkling of truth hiding among them.
I just had to feel it out in peels, waiting through air, much like a sculptor might sound the occurring depths and store of the rock.
Molecules are in a frenzy up there. A rollicking mass of sightless matter
in violent contact. When a phone rings just below the touch, a person might cultivate
a small simulation of that.
Thunder.
And you laying in bed so many nights alone-- a date with a cigarette & a book, any book
it made the scenario complete, constantly forging your new skin.
Meanwhile, no lightning. just the birds and trees hove to in the winds, graceless,
stricken things at the whip.
And the quietly vigilant apartment houses poised together in dull weather-toughened homologue, bled clean of their grand eras like faces and hands, creaking
with the singular duty I imagine weary clippers once did in heavy seas.
Wyoming.
I watched its fleeting monochromes pass in the reflection of your aviator glasses.
Plains and sky that slid like currents into the hollows of your cheeks, gathering miles
of the kind of breathing that conquers speech.
You stared straight ahead for hours, drugged and sullen.
You looked like a cute idiot.
It's tremendous what the wind can and will bring into clarity: views once frayed
and obdurate, now bound by the hidden blessings of change.
And you are here again, fretful but playing it safe. You asked about me where once you had told me how I was. I said No once, a start for any number of pressing endings.
And funny how that word remembered the way you squeezed yourself shrill, a death-grip
on the odd solace of a back of a chair. Your mother. My hand.
A tuft of paper flits into traffic and settles after the deluge into a cozy pocket of gutter across the street-- there. The way a person might refer to another in place: there. Until the glimpse of a raincoat starting into the store cuts the show, and the rain comes.
As my hand passed across your face, at once fostering and wiping away woe and worry and a deliberate need to fuck, I told you that if a person believes in time this is what he does. Words were said. Words were important. Or so it was dreamed anyway.
Written by: Enablers, Joe Goldring, Kevin Thomson, Pete Simonelli, Yuma Joe Byrnes

