旋律性
歌曲的曲调是否清晰易记,是否遵循了明确的音乐模式。旋律性强的歌曲一般具有清晰、令人难忘的器乐或声线。
不插电
衡量一首歌曲对不插电乐器(例如钢琴、吉他、小提琴、鼓、萨克斯)而非电子或数字合成的依赖程度
Valence
通过歌曲的和声和节奏成分,传达的音乐积极性或情感基调。高情感值与幸福、兴奋和愉悦的感觉相对应,而低情感值则与悲伤、愤怒或忧郁有关。
舞蹈性
综合各种因素,包括节奏的稳定性、节奏模式和节拍重点,来确定一首歌曲是否适合跳舞。一首“适合跳舞”的歌曲可能具有稳定的节奏、重复的音乐结构和强烈的重拍。
能量
曲目的感知强度,可能受节奏、动态和音乐紧凑程度的影响。一首高能量的歌曲可能节奏欢快、乐器编配丰富,而一首低能量的歌曲则可能音乐编配简洁、节奏较慢。
BPM82
音乐视频
音乐视频
制作
出演艺人
2 Chainz
声乐
Lil Wayne
声乐
作曲和作词
Tauheed Epps
词曲作者
Dwayne Michael Carter, Jr.
词曲作者
Kejuan Muchita
词曲作者
Michael Dean
词曲作者
M. Bernard
词曲作者
K. Dellaportas
词曲作者
Curtis James Jackson
词曲作者
Charles Lloyd
词曲作者
Chris "Trife" Patilis
词曲作者
科蒂斯・斯图尔特
词曲作者
大卫·布朗
词曲作者
制作和工程
Havoc
制作人
Manny Galvez
录音工程师
Cristal Viramontes
录音工程师
Nolan Presley
录音工程师
Finis "KY" White
混音工程师
Glenn Schick
母带工程师
MIKE DEAN
制作人
歌词
[Intro]
Yeah
Gotta come in hard on them Havoc beats, feel me?
[Verse 1]
My basic outlook to outcrook the man on the side
'Fore we hit the driveway, got my hand on her thighs
Touchin' the sky, I can skateboard on the cloud
Put 'em on so much loud, bet they won't make a sound
This that body rock, nonchalant
Don't make sense like a **** with dreads tryna own his own barber shop
Hard knock, hard to stop, take a new whip, then karate chop
Turn the fuckin' top to a halter top
Concrete jungle, I'll fuck Jane Doe
Industry bunch a **** swing on the same rope
Sit in the same room, fuck on the same ho
We on different planes if we is on the same boat
[Verse 2]
Captivative and creative
Potato head, turn 'em into mashed potatoes
My town is greater, downtown Decatur
Went to Pin Ups to pound-pound the waitress
**** might as well smoke a pound of hatred
Take a shot of jealousy and use a clown to chase it
Heard some **** try to say that my style is basic
Told 'em sit back with they style adjacent
Ran up in they crib like my style is Jason
Mask on, black card, mines is racist
Met a girl named Victory, I can taste it
I got a bigger crib, 'cause I replaced it
[Chorus]
Uh, got a disease called Bars
Bars, yeah
Got a disease called Bars
Bars, ah
I give it to you, ah
I give it to you
I give it to you, ah
I give it to
[Verse 3]
Bastard flow, I had to though, I'm natural and practical, infatuated with the dope
Fanatical, banana clip ya apple though, I got more tunes than Apple Store
You screwed up and now them goons is at ya door with ransom notes
And we gon' need some answers though, answer more, you're modern family
Can suddenly become a canceled show, that's standard though
I'll have ya cousin be the one to cut ya throat, my standards low
I'm from New Orleans, you either be man or ho, and now they know
You mash and go when cash is slow, whatever go, and that you know
Got more texts than Apple Store, I have more sex than Scorpios
And I don't text or call them hoes, restaurant on all them hoes
I slept with foreign hoes that only heard the Carter IV
It's all for show, it's all a hoax, Rebecca's to Rizario's
I'm sorry for the hoes that get betrayed as sorry hoes
I'm sorry, hoes, but that just how the story goes, who are these hoes? Who brought these hoes?
I thought these hoes was for us all, my dog proposed, Lord
His cards exposed, his heart explode, his broads opposed, Lord
His market's closed, he's parched, he's cold, she sparked the stove, Lord
She washed the clothes, she fold the clothes, she on her toes, Lord
He lost control, forgot the bitch was on the pole, Lord
And, oh Lord, I brought some bitches from the road home
Told Hood, "Watch over them bitches like a fuckin' drone"
And hold on, I'm so gone, I'm in my mode, zone
Cough syrup till my cold gone, Tunechi, bitch
[Chorus]
Uh, got a disease called Bars
Bars, yeah
Got a disease called Bars
Bars, ah
I get it to you, ah
I get it to you
I get it to you, ah
I get it to
Written by: Charles Lloyd, Chris "Trife" Patilis, Curtis James Jackson, Curtis Stewart, David Brown, Dwayne Michael Carter, Jr., K. Dellaportas, Kejuan Muchita, M. Bernard, Michael Dean, Tauheed Epps


