旋律性
歌曲的曲调是否清晰易记,是否遵循了明确的音乐模式。旋律性强的歌曲一般具有清晰、令人难忘的器乐或声线。
不插电
衡量一首歌曲对不插电乐器(例如钢琴、吉他、小提琴、鼓、萨克斯)而非电子或数字合成的依赖程度
Valence
通过歌曲的和声和节奏成分,传达的音乐积极性或情感基调。高情感值与幸福、兴奋和愉悦的感觉相对应,而低情感值则与悲伤、愤怒或忧郁有关。
舞蹈性
综合各种因素,包括节奏的稳定性、节奏模式和节拍重点,来确定一首歌曲是否适合跳舞。一首“适合跳舞”的歌曲可能具有稳定的节奏、重复的音乐结构和强烈的重拍。
能量
曲目的感知强度,可能受节奏、动态和音乐紧凑程度的影响。一首高能量的歌曲可能节奏欢快、乐器编配丰富,而一首低能量的歌曲则可能音乐编配简洁、节奏较慢。
BPM95
制作
出演艺人
PYT
表演者
作曲和作词
Beau Dozier
作词
David Axelrod
作曲家
Christine Milian
作曲家
Sarai Howard
作曲家
制作和工程
Beau Dozier
制作人
David McPherson
监制
Max Gousse
监制
歌词
Yeah, yeah, yeah
Oh-oh-oh-oh
Ooh-ooh, oh, ooh-ooh
First time you said that you were leaving
I cried 'cause you said you didn't need me
But the second that I started seeing somebody else
That's when you had to come back to me
Gone, continued on moving and now I'm better
I moved on to someone who would treat me better
But now you're trippin' 'cause you see that I ain't all by myself
And you won't let me be, boy
Why you gotta call me on my phone
Every time you see another boy at my door?
Oh boy, you should've thought of that before
Now you wanna come home when you're alone
It's the same ol', same ol' sad scenario
And every time you swear you wanna be solo
Oh boy, you should've never let me go
But you've done it before
And now I know it's the (Same ol', same ol')
Oh, you thought that you could keep on doing
This to me like I won't keep on moving
I admit it for a minute, you was having your way
What can I say? I wasn't over you
Things change, you and me? You best forget it (No more games)
No more playing, I ain't with it
Don't you get it, boy?
You did it, now you're trying to stay like it was yesterday
But boy, we're through 'cause
You ain't never really ever cared about me
'Cause if you really ever cared about me
It wouldn't take another man to make you understand
That you want me
Uh, 'cause if you really ever cared about me
You woulda never broke my heart and left me
And now you wanna come back and call me yours tonight
Why you gotta call me on my phone
Every time you see another boy at my door?
Oh boy, you should've thought of that before
Now you wanna come home when you're alone
It's the same ol', same ol' sad scenario
And every time you swear you wanna be solo
Oh boy, you should've never let me go
But you've done it before
And now I know it's the same ol', same ol' (Same ol', same ol')
I told you (I told you)
I would leave you (You know I told you, I told you I would leave you)
Next time (And it's the last time, boy, boy, boy, boy)
You been told, this is gettin' old
It's the same ol', same ol', same ol'
Boy, you been told, this is gettin' old
It's the same ol', same ol', same ol'
Why you gotta call me on my phone (Call me on my phone)
Every time you see another boy at my door? (See another boy at my door)
Oh boy, you should've thought of that before
Now you wanna come home when you're alone
It's the same ol', same ol' (Same ol') sad scenario
Every time you swear you wanna be solo
Oh boy, you should've never let me go
But you've done it before
And now I know it's the same ol', same ol' (Oh-oh)
Why you gotta call me on my phone (Why you call on my phone?)
Every time you see another boy at my door (Won't you just leave me alone?)
Oh boy, you should've thought of that before (Should've thought of that before)
Now you wanna come home when you're alone
It's the same ol', same ol' (Same ol') sad scenario
And every time you swear you wanna be solo (Swear you wanna be solo)
Oh boy, you should've never let me go
But you've done it before
And now I know it's the same ol', same ol'
Why you gotta call me on my phone
Every time you see another boy at my door?
Oh boy, you should've thought of that before (No, no, no, no)
Now you wanna come home when you're alone
It's the same ol' (Same ol'), same ol' (Same ol') sad scenario
And every time you swear you wanna be solo
Oh boy, you should've never let me go
But you've done it before
And now I know it's the same ol', same ol'
Written by: Beau Dozier, Christine Milian, David Axelrod, Sarai Howard

