旋律性
歌曲的曲调是否清晰易记,是否遵循了明确的音乐模式。旋律性强的歌曲一般具有清晰、令人难忘的器乐或声线。
不插电
衡量一首歌曲对不插电乐器(例如钢琴、吉他、小提琴、鼓、萨克斯)而非电子或数字合成的依赖程度
Valence
通过歌曲的和声和节奏成分,传达的音乐积极性或情感基调。高情感值与幸福、兴奋和愉悦的感觉相对应,而低情感值则与悲伤、愤怒或忧郁有关。
舞蹈性
综合各种因素,包括节奏的稳定性、节奏模式和节拍重点,来确定一首歌曲是否适合跳舞。一首“适合跳舞”的歌曲可能具有稳定的节奏、重复的音乐结构和强烈的重拍。
能量
曲目的感知强度,可能受节奏、动态和音乐紧凑程度的影响。一首高能量的歌曲可能节奏欢快、乐器编配丰富,而一首低能量的歌曲则可能音乐编配简洁、节奏较慢。
BPM96
制作
出演艺人
Tash
表演者
作曲和作词
Rico Smith
作词
Fred Nassar
作曲家
制作和工程
Fred Wreck
制作人
Rico Smith
监制
Malik Levy
监制
Shane Mooney
监制
Eric Brooks
监制
E-Swift
混音工程师
Daniel Romero
混音工程师
Skip Saylor
混音工程师
歌词
Ya know we peepin' y'all
Slow motion style
Pacific Ocean style (Wh-what?)
I'm in a rowdy-ass club, there's hella bitches all around me
This girl walks up, she says she's glad that she found me
I told her she was trippin', 'cause the girl ain't even know me
Then she told me she want to introduce me to her homies
I said "Well, baby girl, go get your Kemosabe's –
I'll get my Likwit ****, we'll meet you in the lobby"
She walked wit' a smile I ain't seened in a while
So we mobbed through the crowd – Killer-Cal-style
Walkin' wit' a limp, 'cause see, we pimp to perfection
For us to catch a date, don't take the 'Love Connection'
Fuck Chuck Woolery
You want a date for surely, all it take is fine jewelry
A wink and a drink and what the fuck you think?
I mack a baby doll down, she in a long black mink
We straight standin' in the lobby, straight face-to-face
Then she said "Cut to the chase, let's bounce to my place"
'Cause ladies, we wait for nightfall
You thinkin' that we sleepin', but we peepin' all o' y'all
Even all o' y'all up against the wall
But slow down, baby doll
You can't walk before you crawl
Ladies, we wait for nightfall
You thinkin' that we sleepin', but we peepin' all o' y'all
Even all o' y'all up against the wall
But slow down, baby doll
You can't walk before you crawl
Still close to gettin' toasted, by the B-A-R
About to bounce wit' these bitches, 'cause they don't live far
**** all up in my grill, lookin' hella bizarre
I poured my drink on the ground for my dead homey Par (Rest in peace)
Grabbed my car keys, my doctah funktion
Burnt a little rubber, made my outroduction
Pumpkin and her friends pushed the two-door Benz
I pushed the E420, so we looked like twins
Swervin' through the night, everything is right
Swift rolled a blunt, but he can't find a light
Just when we 'bout to blaze it up and get high
I peeped the one-time out the corner of my eye
'Cause one-time, they wait for nightfall
We thinkin' that they sleepin', but they peepin' all o' y'all
Even all o' y'all up against the wall
But slow down, killer cops
You can't walk before you crawl
One-time, they wait for nightfall
We thinkin' that they sleepin', but they peepin' all o' y'all
Even all o' y'all up against the wall
But slow down, killer cops
You can't walk before you crawl
I rolled past the cops, I'm on my cell phone, blown
Doin' 60 miles-a-hour in a 35 zone
Just when I thought it was about to be on
The girl pulled into the gate of a million-dollar home
Fly landscape and cavi' decorations
The living room was bigger than the Club United Nations
Place was to the point I kicked my shoes off the secko
30 percenters – when I talked it made a echo
Rolled up the fat Perfecto
They wanna skinny dip, but I ain't wanna get wet though
So... "Let's go," that's what she told Tash
She led me to her room, lookin' like Stacey Dash
Baby got it pumpin', can't help but to feel it
Then she told me that she married to a killer drug dealer (Say what?)
Should I – A: stay, or B: bounce immediately?
'Cause haters, they wait for nightfall
We thinkin' that they sleepin', but they peepin' all o' y'all
Even all o' y'all up against the wall
But slow down, baby pa
You can't walk before you crawl
Haters, they wait for nightfall
We thinkin' that they sleepin', but they peepin' all o' y'all
Even all o' y'all up against the wall
But slow down, baby pa
You can't walk before you crawl
Can't do it
Ya can't do it
Ya can't walk before ya crawl
That's right, y'all
Slow motion style
Killer Cali on the mic
Catastrophe fuckin' it up all the way from the Bermuda Triangle (That's right)
Hottest shit on the streets
1998, '99, 2000
Raise yo' glass
Raise yo' glass to Tash
Raise yo' glass
And make a toast to Tash
Now
Straigt up
Not tonight
Not tonight
We got Tash on the mic
Not tonight
Written by: Fred Nassar, Rico Smith

