旋律性
歌曲的曲调是否清晰易记,是否遵循了明确的音乐模式。旋律性强的歌曲一般具有清晰、令人难忘的器乐或声线。
不插电
衡量一首歌曲对不插电乐器(例如钢琴、吉他、小提琴、鼓、萨克斯)而非电子或数字合成的依赖程度
Valence
通过歌曲的和声和节奏成分,传达的音乐积极性或情感基调。高情感值与幸福、兴奋和愉悦的感觉相对应,而低情感值则与悲伤、愤怒或忧郁有关。
舞蹈性
综合各种因素,包括节奏的稳定性、节奏模式和节拍重点,来确定一首歌曲是否适合跳舞。一首“适合跳舞”的歌曲可能具有稳定的节奏、重复的音乐结构和强烈的重拍。
能量
曲目的感知强度,可能受节奏、动态和音乐紧凑程度的影响。一首高能量的歌曲可能节奏欢快、乐器编配丰富,而一首低能量的歌曲则可能音乐编配简洁、节奏较慢。
BPM113
制作
出演艺人
Pulp
表演者
Jarvis Cocker
声乐
Steve Mackey
低音吉他
Nick Banks
鼓
Candida Doyle
键盘
马克·韦伯
吉他
Russell Senior
吉他
作曲和作词
Jarvis Cocker
词曲作者
Steve Mackey
词曲作者
Nick Banks
词曲作者
Candida Doyle
词曲作者
马克·韦伯
词曲作者
制作和工程
Scott Walker
制作人
Peter Walsh
混音工程师
Matt Lawrence
助理录音工程师
歌词
Just behind the station, before you reach the traffic island
A river runs through a concrete channel
I took you there once; I think it was after the Leadmill
The water was dirty and it smelt of industrialisation
Little mesters coughing their lungs up
And globules the colour of tomato ketchup
But it flows, yeah, it flows
Underneath the city through dirty brickwork conduits
Connecting white witches on the Moor
With pre-raphaelites down in Broomhall
Beneath the old Trebor factory
That burnt down in the early seventies
Leaving an antiquated sweet-shop smell
And caverns of nougat and caramel
Nougat
Yeah, nougat and caramel
And the river flows on
Yeah, the river flows on
Beneath pudgy fifteen-year olds addicted to coffee whitener
Courting couples naked on Northern Upholstery
And pensioners gathering dust like bowls of plastic tulips
And it finally comes above ground again at Forge Dam
The place where we first met
I went there again for old time's sake
Hoping to find the child's toy-horse ride
That played such a ridiculously tragic tune
It was still there, but none of the kids seemed interested in riding on it
And the cafe was still there too
The same press-in plastic letters on the price list
And scuffed formica-top tables
I sat as close as possible to the seat where I'd met you that autumn afternoon
And then, after what seemed like hours of thinking about it
I finally took your face in my hands and I kissed you for the first time
And a feeling like electricity flowed through my whole body
And all the time, in the background
The sound of that ridiculously heartbreaking child's ride outside
At the other end of town, the river flows underneath an old railway viaduct
I went there with you once, except you were somebody else
And we gazed down at the sludgy brown surface of the water together
Then a passer-by told us that it used to be a local custom
To jump off the viaduct into the river
When coming home from the pub on a Saturday night
But that this custom had died out when someone jumped
And landed too near to the riverbank
And had sunk in the mud there
And drowned before anyone could reach them
I don't know if he'd just made the whole story up
But there's no way you'd get me to jump off that bridge
No chance, never in a million years
Yeah, a river flows underneath this city
I'd like to go there with you now, my pretty
And follow it on for miles and miles
Below other people's ordinary lives
Occasionally catching a glimpse of the moon
Through man-hole covers along the route
Yeah, it's dark sometimes
But if you hold my hand, I think I know the way
Oh, this is as far as we got last time
But if we go just another mile, we will surface
Surrounded by grass and trees
And the fly-over that takes the cars to cities
Buds that explode at the slightest touch
Nettles that sting, but not too much
I've never been past this point
What lies ahead, I really could not say
And I used to live just by the river
In a dis-used factory just off the Wicker
And the river flowed by day after day
And "One day," I thought, "One day I will follow it"
But that day never came
I moved away and lost track
But tonight I am thinking about making my way back
I may find you there and float on
Wherever the river may take me
Wherever the river may take me
Wherever the river may take us
Wherever it wants us to go
Wherever it wants us to go
Written by: Candida Doyle, Jarvis Cocker, Mark Webber, Nick Banks, Steve Mackey

