旋律性
歌曲的曲调是否清晰易记,是否遵循了明确的音乐模式。旋律性强的歌曲一般具有清晰、令人难忘的器乐或声线。
不插电
衡量一首歌曲对不插电乐器(例如钢琴、吉他、小提琴、鼓、萨克斯)而非电子或数字合成的依赖程度
Valence
通过歌曲的和声和节奏成分,传达的音乐积极性或情感基调。高情感值与幸福、兴奋和愉悦的感觉相对应,而低情感值则与悲伤、愤怒或忧郁有关。
舞蹈性
综合各种因素,包括节奏的稳定性、节奏模式和节拍重点,来确定一首歌曲是否适合跳舞。一首“适合跳舞”的歌曲可能具有稳定的节奏、重复的音乐结构和强烈的重拍。
能量
曲目的感知强度,可能受节奏、动态和音乐紧凑程度的影响。一首高能量的歌曲可能节奏欢快、乐器编配丰富,而一首低能量的歌曲则可能音乐编配简洁、节奏较慢。
BPM69
歌词
Hello
So, that was like an introduction
Now for some preaching to the choir on the subject of "How come it is that the further in you go, the bigger it gets?"
I remember the very first time I smoked DMT. It was sort of a benchmark, you might say. And I remember that this friend of mine (who always got there first) visited me with this little glass pipe and this stuff which looked like orange moth balls
And since I was a graduate of Dr. Hoffman's, I figured there were no surprises. So, the only question I asked was "How long does it last?". And he said, "Oh, about five minutes." So, I did it
And there was (uh) something like a flower, like a chrysanthemum in orange and yellow that was sort of spinning, spinning. And then, it was like I was pushed from behind, and I fell through the chrysanthemum into another place that didn't seem like a state of mind: it seemed like another place. And what was going on in this place—aside from the tastefully soffited, indirect lighting, and the crawling, geometric hallucinations along the dome walls—what was happening was that there were a lot of (uh) beings in there: a lot of what I call "self-transforming machine elves", sort of like jewelled basketballs, all dribbling their way toward me. And if they'd had faces they'd have been grinning; but, they didn't have faces. And they assured me that they loved me, and they told me not to be amazed; not to give way to astonishment. And so, I watched them even though I wondered if maybe I hadn't really done it this time
And what they were doing was they were making objects come into existence by singing them into existence—objects which looked like Fabergé eggs from Mars morphing themselves with Mandaean alphabetical structures. They looked like the concrescence of linguistic intentionality, but through a kind of hyperdimensional transform into three-dimensional space
And these little machines offered themselves to me; and I realized, when I looked at them, that if I could bring just one of these little trinkets back, nothing would ever be quite the same again. And I wondered, "Where am I? And what is going on?" And it occurred to me that these must be holographic viral projections from an autonomous continuum that was somehow intersecting my own's. And then I thought a more elegant explanation would be to take it at face value, and realize that I had broken into an ecology of souls, and that somehow I was getting a peek over the other side; somehow, I was finding out that thing that you cheerfully assume you can't find out; but, it felt like I was finding out
And it felt—And then I can't remember what it felt like, because the little self-transforming tykes interrupted me and said, "Don't think about it. Don't think about who we are, think about doing what we're doing. Do it. Do it now. Do it!"
Written by: Jonah Sharp, Terence McKenna


