旋律性
歌曲的曲调是否清晰易记,是否遵循了明确的音乐模式。旋律性强的歌曲一般具有清晰、令人难忘的器乐或声线。
不插电
衡量一首歌曲对不插电乐器(例如钢琴、吉他、小提琴、鼓、萨克斯)而非电子或数字合成的依赖程度
Valence
通过歌曲的和声和节奏成分,传达的音乐积极性或情感基调。高情感值与幸福、兴奋和愉悦的感觉相对应,而低情感值则与悲伤、愤怒或忧郁有关。
舞蹈性
综合各种因素,包括节奏的稳定性、节奏模式和节拍重点,来确定一首歌曲是否适合跳舞。一首“适合跳舞”的歌曲可能具有稳定的节奏、重复的音乐结构和强烈的重拍。
能量
曲目的感知强度,可能受节奏、动态和音乐紧凑程度的影响。一首高能量的歌曲可能节奏欢快、乐器编配丰富,而一首低能量的歌曲则可能音乐编配简洁、节奏较慢。
BPM90
制作
出演艺人
Stalley
领唱
作曲和作词
K. Myrics
词曲作者
R. THOMAS
词曲作者
制作和工程
Stalley
监制
Steven McDowell
助理工程师
Mastermind
监制
Chris Athens
母带工程师
Fabian Marasciullo
混音工程师
Rashad Thomas
制作人
歌词
A **** got problems
Sittin’ here, plottin’ how to count a million dollars
I need houses and garages
Got baby mama drama, get my mama out them projects
Ain’t got too many options
So I’ma take one, double back and make a profit
I need houses and garages
Got baby mama drama, get my mama out them projects
I gotta get my mama out the projects
So it’s llamas in the projects
A **** out here starving
This rap better work, I’m playing **** in that garden
I came from that fridge with empty crates and milk cartons boy
Belly achin’, walking with a 9
Should I shoot him down or just rob a **** blind
Only head shots, never catch him in his spine
That’s what my block taught me, it’s a kill every time
That’s just the mind of a kid trying to free his mom
Out that two bedroom with five kids
Malnourished, ribs touching, man this poverty a bitch
So we slanging dope, ducking pigs, posted with them sticks
Welcome to Ohio, where we hustle to live
So it’s factory work
Or we busting down and breaking if that ain’t gon’ work
Then we run in your crib, six smoking like Wiz
One move, bump bump, put two in your wig
Grandma pray for our sins, hoping God forgives
But today is pay day, and all this broke ish gon’ end
I swear all this broke ish gon’ end
A **** got problems
Sittin’ here, plottin’ how to count a million dollars
I need houses and garages
Got baby mama drama, get my mama out them projects
Ain’t got too many options
So I’ma take one, double back and make a profit
I need houses and garages
Got baby mama drama, get my mama out them projects
My baby on her last Pamper
And her mama on my last nerve
And I just lost my sneaker gig
So you know it’s back to the curb
My cousin got a bird, said he front me quarter key
Told him, "gimme a week, I’ll be where I need to be”
Now I’m penitentiary chancing on the block with my G’s
Trying to clock G’s to feed my family
And I don’t wanna do it but I’m in a tight squeeze
Left hand full of stones, right hand got a tight squeeze
On this hammer case a **** try me
Cops casing the block trying to lock me
It’s hard here, nightmares
‘Cause I don’t want my kids to grow up here
But it feels like a trap, all I do is trap here
Everyday we hopping fences, dipping on twelve
It’s like we running track here
But I gotta get this pack clear
Survival is the key
Big ass crib with garages is the dream
Ba-balancing flows, to balancing triple beams
‘Cause I ain’t never been a problem
But something’s gotta give
‘Cause a **** got problems
A **** got problems
Sittin’ here, plottin’ how to count a million dollars
I need houses and garages
Got baby mama drama, get my mama out them projects
Ain’t got too many options
So I’ma take one, double back and make a profit
I need houses and garages
Got baby mama drama, get my mama out them projects
Blue collar, blue, blue collar
Blue collar, blue, blue collar
Blue collar, blue, blue collar
Blue collar, blue, blue collar
Blue collar, blue, blue collar
Blue collar, blue, blue collar
Blue collar, blue, blue collar
Blue collar, blue, blue collar
Written by: Author Unknown Composer, Brandon Hodgers, K. Myrics, Kyle Myricks, Mario Pizzini, R. Thomas

