旋律
歌曲有多麼清晰易記且符合明確音樂模式的旋律。通常,旋律分明的作品會擁有清晰易記的器樂或人聲主線。
原聲音質
此指標衡量一首歌曲在多大程度上依賴原聲樂器 (例如鋼琴、吉他、小提琴、鼓、薩克斯風),而非電子或數位合成音效
Valence
歌曲透過和聲與節奏所傳達的音樂積極性或情感基調。數值高通常對應快樂、興奮或愉悅感,數值低則與悲傷、憤怒或憂鬱相關。
節奏感
綜合了節拍穩定性、節奏型態與重拍強度等多重因素,以判定一首歌曲適合跳舞的程度。一首「節奏感強」的歌曲,通常具備穩定的速度、重複的音樂結構與明顯的強拍。
輕快
曲目的律動感可能受節奏快慢、音量起伏與聲譜密度所影響。較輕快的歌曲通常節奏強勁,編曲豐滿;反之,不太輕快的歌曲則可能編曲簡約、節奏較慢。
BPM91
音樂影片
音樂影片
積分
演出藝人
R. Montgomery
饒舌
詞曲
Mr. Porter
作曲家
D. Porter
詞曲創作
R. Montgomery
詞曲創作
製作與工程團隊
Mr. Porter
製作人
Ryan Highland
工程師
Chris Beast
工程師
I.V. Duncan
工程師
Morning Estrada
工程師
Mauricio Iragorri
母帶工程師
Steve "Steve B" Baughman
母帶工程師
歌詞
I'm signing off on this
On the same note as the ones, the treasury prints
With every intent to see **** dying off of it
I signed this only a couple years after the NBA signed Kobe
And he 'bout to retire
So if anybody see Don Einer, make
Sure you tell him I ain't lost it yet
Somebody tell Tom Silverman hi for me
Look in the sky, there's a fly sorcerer eyeballing me
From a flying saucer
In my mind it's like a full clip
And my competition's magazines are running
Low like The Source and Vibe offices
Since '99 hip-hop been like my orphanage
Got dropped a lot but every time I signed I got a million
A&R's and execs was telling me that I'm not appealing
Tried to turn me into Nas, I'm not him but I forgive you
This is a Bob Marley, Bob Dylan spiritual vibe that I'm feeling
These scars are time healing
Clearly you lost
You tried to put me in a box
How dare you try to minimize a lyrical god
I Godzilla these walls
My prime's no time near
I'll improvise 'til my ceilings get Wizard of Oz
I'm the illest alive
I'm the rose that rose from the concrete with the thorn
And when I'm gone I shall live in a vase
Me and Porter just handling business
Boy we came a long way from blasting cannons
And having to throw 'em in trash cans dismantling shipments
I had to manage a shift at my day job too
I laid down rules
No gas station past 8 Mile, past 8 or late drive-thrus
Maxell tape, you play the whole B-side
You flip it over you hear the whole A-side too
Now we got iCloud and FaceTime
Basically to knock down the grapevine
Make way as the chaos ensues
**** saving ratchets calling themselves bosses but they not
They David Hasselhoff and they Baywatch
But I'm cool
Nowadays my life be lavish
Who I'm out with tonight it might be a model or it might be actress
She might be a ballerina, she might do plays
She might just like theatrics
She might be famous, I might just type her for bragging rights
She might get mad at the paparazzi for flashing cameras at her
As she covers her face with her arm as if she's dabbing
She might be dragging me to some more uptight fashion show somewhere
Where people like Madonna and Bono go
I might take one look up and down at the
Clothes and say "Hell nah, it's time to go"
Come on, it's time to go
I might fuck her on the kitchen table at her crib in the Hamptons
I might lay her down gently, I might slam her
I might even fuck around and yell "Domino"
My soldiers sound off like you got a pair
I done real ****, I done lost a lot of friends over the years
I been losing a lot of hair
Been told that I'm out my mind
But if you only knew what was inside it
You too would choose to stay out of there
I take my hats off to the addicts
Going through something tragic in their lives
Shit even I backed off the madness
I had to take some time and rap off to realize
Now how do I stop being underrated?
How do I get props like, let's say a Drake?
But I rap with the skillset of let's say a Black Thought or Hell's Eye
If Jay Elect can bag a Rothschild without an album
And I can come back to rap after doing some jail time
No one cares about sales now
They care about Facebook status
It's all about gadgets and getting fatter than hell and consuming shit
Like them Patti LaBelle pies, like lunatics
Speaking of, I knew this chick
Who used to just be happy to make it out the hood to see me
Then she got on some fucking Truman shit
She started asking me to do shit like
Written by: Ryan Montgomery, Denaun Montez Porter


