旋律
歌曲有多麼清晰易記且符合明確音樂模式的旋律。通常,旋律分明的作品會擁有清晰易記的器樂或人聲主線。
原聲音質
此指標衡量一首歌曲在多大程度上依賴原聲樂器 (例如鋼琴、吉他、小提琴、鼓、薩克斯風),而非電子或數位合成音效
Valence
歌曲透過和聲與節奏所傳達的音樂積極性或情感基調。數值高通常對應快樂、興奮或愉悅感,數值低則與悲傷、憤怒或憂鬱相關。
節奏感
綜合了節拍穩定性、節奏型態與重拍強度等多重因素,以判定一首歌曲適合跳舞的程度。一首「節奏感強」的歌曲,通常具備穩定的速度、重複的音樂結構與明顯的強拍。
輕快
曲目的律動感可能受節奏快慢、音量起伏與聲譜密度所影響。較輕快的歌曲通常節奏強勁,編曲豐滿;反之,不太輕快的歌曲則可能編曲簡約、節奏較慢。
BPM130
音樂影片
音樂影片
積分
演出藝人
Marcos
演出者
詞曲
Cesar Alejandro Izaguirre
詞曲創作
Toni Ordaz
詞曲創作
Chris Rez
詞曲創作
Homero Solis III
詞曲創作
Jessie Joe Morales
詞曲創作
歌詞
When you think that you already know everything that has been done in Cape Verdean music during the last 5 decades, it is hard to discover something that will surprise you. Trust us. We have found that something.
Saudade is the first and only release from Marcos, an unheard gem from Cape Verde that was sitting in one of Lisbon's warehouses at São Bento for us to discover. Unheard until now, we have been searching for the past 4 years about this record and the existence of other copies.
Recorded during the 80s, the record is estimated to have been self-released in 1984. This constitutes another episode in the motion that started in the late 70s, where musicians from Cape Verde would visit Lisbon and acquire studio package deals to record a full album. We need to put a strong emphasis on the world 'deal' here because that's really what it was: a pure transactional operation.
Bands would come and pay for a bundle of studio time, including a fee to rent the 2" studio tapes, mixing and mastering, photography services if needed, reproduction of the final work, and sometimes a room for the whole band to sleep on. But if you were just a singer-songwriter travelling alone, that wouldn't be a problem since the studios included sessions bands that could help you play your compositions, or even help you create and write them. At the end of the deal, your vinyl copies would arrive from the factory, the band would continue the trip, normally up north to Rotterdam or Paris, and the analogue tapes would be erased to restart the process for someone else.
This endeavour was recorded in Portugal in Musicorde in Campo de Ourique. Today an upscale area of the city, but back then one of the main neighbourhoods where the Cape Verdean diaspora settled after the 50s and 60s emigration high - responses to Portugal's increasing need for cheap construction labour and to the crisis in the Sahel region. The other musicians in the record were part of studio's rooster, including the notorious Paulino Vieira, which participated in more than 50% of the Cape Verdean records of the time in Lisbon, along with the well-known Chibanga on drums, Kikas and Casimiro both on guitar and organ, and the strange and unknown character by the name of Live on bass guitar.
Probably one of the most obscure and undiscovered gems coming from the West Africa region. The 6 tracks recorded on this LP are genuine treasures of Funaná, with no synthesizers, just keyboards, guitars, drums, bass, and the warm voice of Marcos that doesn't stray far from giving us glimpses of Morna and Coladera. Finally, a detail needs to be made to Ncata Bebe, since this track brings a groovy feel that is not common to Funaná: a drum that is heavy on the foot with a highly present snare, a piano that sways like its in New Orleans, and a melodic voice that reminds us of some smooth and sadder songs from Zamrock.
Until date, only a handful number of copies are known to exist, with two of them belonging to us. First time ever reissue available at Comets Coming!
Written by: Cesar Alejandro Izaguirre, Chris Rez, Homer Solis, Jes Morales, Toni Ordaz


