最熱門過去 7 天
01:25 - 01:30
在過去一週內,On BS 最常出現在 大約在下列歌曲的 1 分鐘 and 25 秒處: 這首歌中
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旋律
歌曲有多麼清晰易記且符合明確音樂模式的旋律。通常,旋律分明的作品會擁有清晰易記的器樂或人聲主線。
原聲音質
此指標衡量一首歌曲在多大程度上依賴原聲樂器 (例如鋼琴、吉他、小提琴、鼓、薩克斯風),而非電子或數位合成音效
Valence
歌曲透過和聲與節奏所傳達的音樂積極性或情感基調。數值高通常對應快樂、興奮或愉悅感,數值低則與悲傷、憤怒或憂鬱相關。
節奏感
綜合了節拍穩定性、節奏型態與重拍強度等多重因素,以判定一首歌曲適合跳舞的程度。一首「節奏感強」的歌曲,通常具備穩定的速度、重複的音樂結構與明顯的強拍。
輕快
曲目的律動感可能受節奏快慢、音量起伏與聲譜密度所影響。較輕快的歌曲通常節奏強勁,編曲豐滿;反之,不太輕快的歌曲則可能編曲簡約、節奏較慢。
BPM78
音樂影片
音樂影片
積分
演出藝人
Drake
演唱
21 Savage
演唱
Big Bank
和聲
詞曲
Aubrey Drake Graham
詞曲創作
Ozan Yildirim
詞曲創作
Elias Sticken
詞曲創作
Simon Gebrelul
詞曲創作
Shéyaa Bin Abraham-Joseph
詞曲創作
製作與工程團隊
OZ
製作人
Elyas
共同製作人
Noel Cadastre
錄音師, 混音師
Les "Bates" Bateman
工程師
Chris Athens
母帶工程師
Dave Huffman
母帶工程師
Harley Arsenault
助理混音師
Isaiah Brown
錄音師
Noah "40" Shebib
混音師
歌詞
[Intro]
Yeah, whoa, whoa, whoa
[Verse 1]
I had to cut some **** off, they didn't mean me no good
I come from the ghetto, so my trunk is in my hood
She wouldn't wear no panties 'round me even if she could
Gave out plenty spankings till they got it understood
Fuck the nosebleeds, baby, come sit on this wood
If you know it's tension, don't come 'round me like it's good
I got street smarts and you can't get this out no book
I can't right my wrongs, but I can still write these hooks
[Verse 2]
Oh, time to get exposed
You ain't banned from 'round here, ****, come get off your show
Savage said you pussy and he hit it on the nose
But that border's open, why you actin' like it's closed? I don't know
Y'all be goin' in and out recessions
The same way that I be goin' in and out of Texas
Or in and out my sessions, or in and out her best friends
Or in and out these courtrooms, my lawyer like, "Objection"
[Verse 3]
Yeah, whoa, whoa
All my bitches Spanish, boricua
Water on my neck, these diamonds came with coral reefer
She from overseas, I had to buy her a new visa
Met your wife in Vegas, but I hit her in Ibiza
She a supermodel, so she only eatin' Caesar
Used to date a rapper, but he acted like a diva
**** hustlin' backwards, out here ballin' with the re-up
Popped an Adderall, I feel like I can lift a tree up
Seen too many cameras, so I never lift my ski up (Yeah)
I jump on your song and make you sound like you the feature
I jump on your song and make a label think they need ya, for real (Yeah)
[Chorus]
On that bullshit, on that bullshit (Okay, okay)
On that bullshit, on that bullshit (Okay, okay)
On that bullshit, on that bullshit (Okay, okay)
On that bullshit, we on all the bullshit (Okay)
On that bullshit, on that bullshit (Okay, okay, okay)
On that bullshit, on that bullshit (Okay, yeah)
On that bullshit, on that bullshit (Okay, okay)
All the bullshit
[Verse 4]
Damn, maybe I should do a twenty, maybe I should break that twenty, do a ten
Maybe I should break that ten, do a five, then if it gets live, do a five again
If he held his tongue on that live, he'd be alive again, damn
My uncle's sister know she raised a real one, ill one
It's been thirty minutes, I don't feel nothing
Oh shit, wait a minute, think I'm startin' to feel something
Where you get this motherfuckin' pill from?
Heard they got some sanctions on my name
Heard they plottin' on my name, heard they bankin' on my name
I got Lita in this bitch and he might spank it on a lane
I'm just, what? In the cut, throwin' Franklins on her frame
I'm a, aye, I'm a gentleman, I'm generous
I blow a half a million on you hoes, I'm a feminist
I never put no prices on no beef until we end this shit
I pay a half a million for his soul, he my nemesis
[Chorus]
On that bullshit, on that bullshit (Okay, okay)
On that bullshit, on that bullshit (Okay, okay)
On that bullshit, on that bullshit (Okay, okay)
On that bullshit, we on all the bullshit (Okay)
On that bullshit, on that bullshit (Okay, okay, okay)
On that bullshit, on that bullshit (Okay, yeah)
On that bullshit, on that bullshit (Okay, okay)
All the bullshit
[Outro]
Nah, I'm on, it's midnight, I don't care
Nothing's happening on a Wednesday, I don't care, I'm on
I'm looking for the smoke
This guy sitting front row, man, poof, who needs that?
Let me put my window down, I need fresh air
We don't want that, we want bars
The reason why we listen to 21 and The Boy
That's what we do in Paris, we don't do Fashion Week
Fashion Week, it's for the last decade, it's not for us
It's about the lights, the lights that we put on in the city
The lights of the Eiffel Tower
I'm in charge of it, I'm the one who's putting it on every day
And you try to flex next, next to me on the red light with your ugly, whatever, flexing, most expensive car, V12
I drive a four-cylinder, I come from nothing, but I'm doing something and you cannot catch my drive
As fast as you try to go, you will never catch me, man
There is only one way, and this way I'm driving, nobody can do it
I'm Birdman, that's who I am
In Paris
Brrt, brrt
Written by: Aubrey Drake Graham, Elias Sticken, Ozan Yildirim, S. Bin Abraham-Joseph, Simon Gebrelul


