旋律
歌曲有多麼清晰易記且符合明確音樂模式的旋律。通常,旋律分明的作品會擁有清晰易記的器樂或人聲主線。
原聲音質
此指標衡量一首歌曲在多大程度上依賴原聲樂器 (例如鋼琴、吉他、小提琴、鼓、薩克斯風),而非電子或數位合成音效
Valence
歌曲透過和聲與節奏所傳達的音樂積極性或情感基調。數值高通常對應快樂、興奮或愉悅感,數值低則與悲傷、憤怒或憂鬱相關。
節奏感
綜合了節拍穩定性、節奏型態與重拍強度等多重因素,以判定一首歌曲適合跳舞的程度。一首「節奏感強」的歌曲,通常具備穩定的速度、重複的音樂結構與明顯的強拍。
輕快
曲目的律動感可能受節奏快慢、音量起伏與聲譜密度所影響。較輕快的歌曲通常節奏強勁,編曲豐滿;反之,不太輕快的歌曲則可能編曲簡約、節奏較慢。
BPM74
音樂影片
音樂影片
積分
演出藝人
尤高堤
聲樂
DJ Drama
聲樂
詞曲
Mario Mims
詞曲創作
June James
詞曲創作
Eugene Tsai
詞曲創作
製作與工程團隊
Eugene Tsai
製作人
June Genius
製作人
Jess Jackson
母帶工程師
Jorge Ace Taveras
錄音師
Yung Dee
執行製作
Liz Robson
錄音師
歌詞
[Intro]
It's been a pleasure
We told you and we showed you
My **** Gotti
And like that
See, I look at this shit like football, you know what I'm sayin'?
Ayy, this that NFL, **** (June, you're a genius)
Never (We gone), felt love
Never found love (I showed you so)
And of course
No fake love
I told you (Gangsta Grizzills)
[Verse 1]
I survived the streets (Streets), and never been touched (Touched)
They call it manifestin', I just never lost a crush
**** actin' sus (Sus), you should call 'em sis (Huh?)
And I ain't homophobic, you just actin' like a bitch
Free that ****— that shit foul as it gets
Openin' up the 'Gram, watchin' his homeboy snitch
Hurt me to my heart (Heart), sickness in my stomach (Stomach)
Seein' him in that courtroom make me wanna vomit (Ugh)
Ayy, free them **** for real
Ayy, we prayin' for you, my ****, we know what you goin' through
[Instrumental]
I got rich and started stressin', this a curse or it's a blessin'?
We spend millions on security, but they still ain't no protection
I'm in NY with my weapon (Weapon), I'm in LA with my weapon (Weapon)
I'm on offense, I'm on defense, play with me, I'm star steppin'
My Phantom just get driven (Driven), I wake up with adrenaline (I'm nervous)
We never said don't love your bitch, just don't put her in your business (You heard me?)
That's pressure on your children (You heard me?), they mama now a witness (A witness)
Her family just diss him because that shit can't be forgiven (And that's that)
Big Gotti, yeah, I'm cocky (Cocky)
Three-carat tennis chain on my bitch and that shit rocky (Rocky)
Yeah, I ain't talkin' boxin'
Floors full of white and ice, no hockey
Pots on stoves, **** cookin' it like hibachi
**** fuckin' up the re-up, steady stackin' up the profits
Runnin' 'round here flexin', buyin' watches
Ma, I pray these **** stop it
Only postin' on my socials, 'cause I ain't social
Ayy, that's Gotti, he paranoid, don't approach him
And you know he got that toaster
And you know he havin' motion
Somethin' big, one in the head, that shit ain't sittin' inside no holster
Ain't never acceptin' no ho shit, that **** there gon' be vocal
Just bought a crib on the coastal, he ain't goin' back and forth with no locals
Ain't goin' back and forth with no dealer
You want a bad bitch, you can build her
See, I'm the type that don't kiss and tell
I'll never buy a bitch a BBL
But I'll buy a ho a lot of Chanel
Make a wish, I'm a well (Well)
I'm a gangster and a player (Player)
How she yours if you pay her?
How she mine, half-naked?
On the 'Gram, can't respect it (Can't)
Real ****, I'ma check it (Check it)
Know the brand, protect it
Reputation and relationships, gotta know your worth
That's a Birkin with no money in it, bitch, you livin' out a purse
And I can't believe you **** talkin' on these phones (For real?)
Callin' from a jail like you alone, you **** ain't tryna come home
Damn, they said on the call that they recordin', you not listenin'? (This call is subject to recording and monitoring)
I don't get it, 'cause you ignorin' it
And I just seen a father (Father), tellin' on his son (Disgusting)
And I just seen a drug dealer (A drug dealer?), tellin' on his moms
I'm officially out these streets, **** (It's over), what have it become?
I got principles and morals, but my feelings all numb (Shh)
[Outro]
(Gangsta Grizzills)
Where I come from, every day you wake up, every day you leave the house, you takin' a chance on
Goin' to the federal penitentiary or gettin' killed
All my closest friends gone
You know what I'm sayin'? I know what come with this lifestyle, like
That's why I trip off on these—
That always wanna specify how much they in the street and how much they wanna be street in they hood
****, where I come from, you tryna get out the hood
That's the obstacle, ****
Written by: Eugene Tsai, June James, Mario Mims


