旋律
歌曲有多麼清晰易記且符合明確音樂模式的旋律。通常,旋律分明的作品會擁有清晰易記的器樂或人聲主線。
原聲音質
此指標衡量一首歌曲在多大程度上依賴原聲樂器 (例如鋼琴、吉他、小提琴、鼓、薩克斯風),而非電子或數位合成音效
Valence
歌曲透過和聲與節奏所傳達的音樂積極性或情感基調。數值高通常對應快樂、興奮或愉悅感,數值低則與悲傷、憤怒或憂鬱相關。
節奏感
綜合了節拍穩定性、節奏型態與重拍強度等多重因素,以判定一首歌曲適合跳舞的程度。一首「節奏感強」的歌曲,通常具備穩定的速度、重複的音樂結構與明顯的強拍。
輕快
曲目的律動感可能受節奏快慢、音量起伏與聲譜密度所影響。較輕快的歌曲通常節奏強勁,編曲豐滿;反之,不太輕快的歌曲則可能編曲簡約、節奏較慢。
BPM123
積分
演出藝人
Enablers
演出者
Yuma Joe Byrnes
取樣
Kevin Thomson
取樣
Joe Goldring
取樣
Pete Simonelli
取樣
詞曲
Enablers
詞曲創作
Kevin Thomson
詞曲創作
Yuma Joe Byrnes
詞曲創作
Joe Goldring
詞曲創作
Pete Simonelli
詞曲創作
歌詞
Drop back.
Scan the smalls things rushing to a dark clutch of weather above the busy street.
You once said that we are smarter in our dreams you also said that words were important,
and they were said. Or so it was said anyway.
Thrush of traffic and wind: a natty legion of cirrus cloud streams over the inland peaks,
a slow, brawny pace it converges in roiled plumes and drives steadily onward,
marching across the sky, the way newer skins converge and cover the body.
So many words that maybe there might've been an inkling of truth hiding among them.
I just had to feel it out in peels, waiting through air, much like a sculptor might sound the occurring depths and store of the rock.
Molecules are in a frenzy up there. A rollicking mass of sightless matter
in violent contact. When a phone rings just below the touch, a person might cultivate
a small simulation of that.
Thunder.
And you laying in bed so many nights alone-- a date with a cigarette & a book, any book
it made the scenario complete, constantly forging your new skin.
Meanwhile, no lightning. just the birds and trees hove to in the winds, graceless,
stricken things at the whip.
And the quietly vigilant apartment houses poised together in dull weather-toughened homologue, bled clean of their grand eras like faces and hands, creaking
with the singular duty I imagine weary clippers once did in heavy seas.
Wyoming.
I watched its fleeting monochromes pass in the reflection of your aviator glasses.
Plains and sky that slid like currents into the hollows of your cheeks, gathering miles
of the kind of breathing that conquers speech.
You stared straight ahead for hours, drugged and sullen.
You looked like a cute idiot.
It's tremendous what the wind can and will bring into clarity: views once frayed
and obdurate, now bound by the hidden blessings of change.
And you are here again, fretful but playing it safe. You asked about me where once you had told me how I was. I said No once, a start for any number of pressing endings.
And funny how that word remembered the way you squeezed yourself shrill, a death-grip
on the odd solace of a back of a chair. Your mother. My hand.
A tuft of paper flits into traffic and settles after the deluge into a cozy pocket of gutter across the street-- there. The way a person might refer to another in place: there. Until the glimpse of a raincoat starting into the store cuts the show, and the rain comes.
As my hand passed across your face, at once fostering and wiping away woe and worry and a deliberate need to fuck, I told you that if a person believes in time this is what he does. Words were said. Words were important. Or so it was dreamed anyway.
Written by: Enablers, Joe Goldring, Kevin Thomson, Pete Simonelli, Yuma Joe Byrnes

