旋律
歌曲有多麼清晰易記且符合明確音樂模式的旋律。通常,旋律分明的作品會擁有清晰易記的器樂或人聲主線。
原聲音質
此指標衡量一首歌曲在多大程度上依賴原聲樂器 (例如鋼琴、吉他、小提琴、鼓、薩克斯風),而非電子或數位合成音效
Valence
歌曲透過和聲與節奏所傳達的音樂積極性或情感基調。數值高通常對應快樂、興奮或愉悅感,數值低則與悲傷、憤怒或憂鬱相關。
節奏感
綜合了節拍穩定性、節奏型態與重拍強度等多重因素,以判定一首歌曲適合跳舞的程度。一首「節奏感強」的歌曲,通常具備穩定的速度、重複的音樂結構與明顯的強拍。
輕快
曲目的律動感可能受節奏快慢、音量起伏與聲譜密度所影響。較輕快的歌曲通常節奏強勁,編曲豐滿;反之,不太輕快的歌曲則可能編曲簡約、節奏較慢。
BPM
積分
演出藝人
Stella Obot
和聲
詞曲
Oreva Olujimi
詞曲創作
製作與工程團隊
Excel Praiseworth
製作人
歌詞
Ring around the roses,
A pocket full of poses,
Ashes, ashes, we all fall down.
Shhh.
This is the sound of silence
It is the piercing of the skin with a needle, the kind that draws blood
It is the aftermath of an earthquake or disruption of a hurricane
To a city that has only known still ground
It is there in the ashes that survive
The debris left behind
The sorrow lingering in the air
It is the final beep of a heart monitor before a passing
It was the stiffness in the air, the pause in my heartbeat
The free falling when I heard that you had died.
How??
I have repeated it like an anthem.
Like a ballad's song on its last dying note
Commandment to still my racing heart
Rubbing it softly as though it could erase the pain
Arresting tears that refused to be held hostage.
How do you contain what has refused to surrender?
They say that there are seven stages of grief.
I have journeyed through all seven versions of this hell.
And there is no light at the end of this tunnel
No you. No prize for this fight.
Only blood.
And tears.
And death.
Like the second breaking.
There is a breaking that feels like you're underwater
Like the floors beneath your feet are caving in
Giving way
Call me the walking dead.
These hands gripped myself as I cried you back to life.
As I washed away blood that screamed of empty promises
As I wondered how many more deaths made for a rite of passage.
Shock
I woke up drowning in silence,
Gasping for a name that would never answer back.
The air was thick with a lie I couldn't swallow
This can't be real.
My hands trembled as I reached for yesterday,
But yesterday was already dead,
And I was left holding the cold echo of its bones.
Denial
I stitched tears into prayers, dragged my heavy feet to the bottom of my bed.
Cleaned my tears. Rocked hope back into my shaking bones.
Gone is a word I do not speak.
Anger
I burned.
I turned my fists into questions and threw them at the sky
I spit venom at sympathy,
Turned cold at the warmth of concern.
They say anger is a stage.
But I call it a home with no windows,
Stay long enough and you forget the color sun.
Bargaining
I whispered deals into the dark,
Promises that smelled like desperation.
If I had just called, if I had just been there,
Maybe, maybe, more maybe
Until,
One day, I got up.
I let the wind kiss my face in the form of a sweet breeze.
like it was trying to remind me
I am still here.
And here still exists.
I did not call it healing.
I did not call it hope.
But I called it something.
And something was better than nothing.
Absence does not always make the heart fonder.
You are not just a name carved in stone
You are in the stories I tell,
In the kindness I give,
In the way I stop to taste the rain.
And when my time comes,
when I, too, become an echo,
I know I will see them again.
I will run to them, arms open,
And they will smile and say,
"We have been waiting."
Because ashes are not just endings.
They are proof of a fire that once burned,
Proof that something bright, something warm,
Something unforgettably brilliant was here.
So I commemorate you in this poem.
Bring you to life with these words.
Call you out like Lazarus and make a home in my memories.
You were here.
You were here.
You were here.
I will not forget.
Ashes, ashes, we all fall down
Written by: Oreva Olujimi

