Demon attack 由 Wahala Collective Records 於 2026年6月18日發行,收錄於專輯《The War Eze》中
BPM110
旋律
歌曲有多麼清晰易記且符合明確音樂模式的旋律。通常,旋律分明的作品會擁有清晰易記的器樂或人聲主線。
原聲音質
此指標衡量一首歌曲在多大程度上依賴原聲樂器 (例如鋼琴、吉他、小提琴、鼓、薩克斯風),而非電子或數位合成音效
Valence
歌曲透過和聲與節奏所傳達的音樂積極性或情感基調。數值高通常對應快樂、興奮或愉悅感,數值低則與悲傷、憤怒或憂鬱相關。
節奏感
綜合了節拍穩定性、節奏型態與重拍強度等多重因素,以判定一首歌曲適合跳舞的程度。一首「節奏感強」的歌曲,通常具備穩定的速度、重複的音樂結構與明顯的強拍。
輕快
曲目的律動感可能受節奏快慢、音量起伏與聲譜密度所影響。較輕快的歌曲通常節奏強勁,編曲豐滿;反之,不太輕快的歌曲則可能編曲簡約、節奏較慢。
歌詞
Papa Legba here
Blue light along the walls. Incense heavy in the air
Two guards in full armor step forward and salute
But the one on the left — il a bougé les yeux
The throne room guards never shift their gaze
Jamais
I shove the Loa sideways — blades come down where we had stood
Steel on steel, the sparks fly — her mage's black light ripping
Through the hood
They fall. I tear the helmet off. Mon Dieu — beneath the iron face
Pale skin. Blond hair. Not Vodunese. Not human. Not from this place
More from the shadows. More behind the door
We fight. We hold. The mage bleeds onto the floor
Then a spear — clean through a démon's chest — the body lifts and
Flies
Armoured figure. An X carved on his head. Familiar eyes
Beside him — shorter, bald — a wooden thing that fires like a bow
THe man pulls the trigger. Spear-tips singing. Four more démons hit
The stone below
The helmet drops. Clang on the floor
He is Baron kriminel. He tells us he no longer serves Ghede Ghadou Loa
His army rots in prison — parce que c'est lui. Because of him
My blade is yours." he says
I kneel beside a dying démon. A drop of blood — I press it to my eye
Hélas — the blood does not lie
Thirty assassins. Maybe more. Already inside the walls
Their target: the chamber that holds our defences. If it falls — tout
Est perdu
"Ma Loa — we must move. Maintenant."
"Mon Mysters ne tombera pas!" — she screams it through the steel
The queen was born for battle — born for this, c'est réel
I watch her fight. Mon Dieu, I swell with pride
The woman who will never kneel is the woman I must keep alive
The chamber. A cathedral of war
Winged démons — dozens — curved blades flashing on the floor
The guards are falling back. The démons have the numbers and the rage
Then the Loa crashes into their flank — and rewrites every page
She screams "My Mysters will not fall again! Pas une deuxième fois!"
She whirls through the ranks like smoke — they cannot touch La Loa
Her sword takes a head. Her blue light carves a chest
She dives and spins and strikes and the démons cannot rest
Magnifique. Terrifiant. She is everything I feared
Every démon that she cuts down — another one appeared
I charge behind her. Twin blades. Sparks on every side
"Protect your Loa!" I scream to the guards. They hear me. And they
Ride
We are winning. The tide is turning. Bodies on the stone
Her rage has lit a fire in every guard — we fight as one, not alone
"Mon Mysters ne tombera pas!" — she screams it through the steel
The queen was born for battle — born for this, c'est réel
I watch her fight. Mon Dieu, I swell with pride
The woman who will never kneel is the woman I must keep alive
But she pushes further. Deeper than anyone should go
Too far from the guards. Too far from me. I call her name — too slow
A blade. Through her side. She drops to her knees
A second blade — the shoulder. Mon Dieu — à genoux, she bleeds
I cut both démons down — their heads still spinning as I catch her
Fall
"Ma Loa!" — but she is no longer standing tall
"Mon Mysters ne tombera pas..." — she whispered through the blood
The queen was born for battle — born for this, c'est réel
I watch her fall. Mon Dieu, I choke on pride
The woman who will never kneel is the woman I cannot keep alive
Comment est-ce possible? She was supposed to outlive us all
She was supposed to lead the armies through the final wall
She was supposed to see the dawn. She was supposed to reign
I look around for something — someone — anything to take the pain
But the démons are all dead. The corridor is still
The only enemy remaining is the silence and the chill
The last time I felt this void — the last time I lost the ground
Was when they told me about ma sœur. The same depth. The same sound
She is... she is almost gone
Fout Tonné — à peine
The sword is still inside her
I cannot put her down
I cannot put her down
Written by: Wahala Collective


