旋律
歌曲有多麼清晰易記且符合明確音樂模式的旋律。通常,旋律分明的作品會擁有清晰易記的器樂或人聲主線。
原聲音質
此指標衡量一首歌曲在多大程度上依賴原聲樂器 (例如鋼琴、吉他、小提琴、鼓、薩克斯風),而非電子或數位合成音效
Valence
歌曲透過和聲與節奏所傳達的音樂積極性或情感基調。數值高通常對應快樂、興奮或愉悅感,數值低則與悲傷、憤怒或憂鬱相關。
節奏感
綜合了節拍穩定性、節奏型態與重拍強度等多重因素,以判定一首歌曲適合跳舞的程度。一首「節奏感強」的歌曲,通常具備穩定的速度、重複的音樂結構與明顯的強拍。
輕快
曲目的律動感可能受節奏快慢、音量起伏與聲譜密度所影響。較輕快的歌曲通常節奏強勁,編曲豐滿;反之,不太輕快的歌曲則可能編曲簡約、節奏較慢。
BPM111
音樂影片
音樂影片
積分
演出藝人
Woodhouse
演出者
詞曲
Christopher Bridges
詞曲創作
Jonathan "Lil Jon" Smith
詞曲創作
LaMarquis Jefferson
詞曲創作
Sean Garrett
詞曲創作
Patrick "J. Que" Smith
詞曲創作
James Phillips
詞曲創作
Robert McDowell
詞曲創作
歌詞
Peace up, A-Town down
Yeah (Yeah)
Okay (Okay)
Usher, Usher
And Lil Jon
Yeah-yeah-yeah, yeah, yeah, yeah
Yeah-yeah-yeah, yeah, yeah, yeah (What it do, shawty?)
Let's go
Up in the club with my homies
Tryna get a little V-I, keep it down on the low-key (Low-key)
'Cause you know how it is (Hey, hey)
I saw this shorty, she was checkin' up on me
From the game she was spittin' in my ear, you would think that she know me (Know me)
I decided to chill (Okay)
Conversation got heavy (Hey)
She had me feelin' like she's ready to blow
Watch out! (Oh)
Watch out!
She was sayin', "Come get me" (Come get me)
So I got up and followed her to the floor
She said, "Baby, let's go" (Let's go)
When I told her, I said
Yeah, yeah
Shawty got down low, she said, "Come and get me"
Yeah, yeah
I got so caught up, I forgot she told me
Yeah, yeah
Her and my girl used to be the best of homies
Yeah, yeah
Next thing I knew, she was all up on me screamin'
Yeah, yeah, yeah, yeah, yeah, yeah
Yeah, yeah, yeah, yeah, yeah, yeah
So she's all up in my head now
Got me thinkin' that it might be a good idea to take her with me (With me)
'Cause she's ready to leave (Ready to leave now; oh, let's go)
Now I gotta keep it real now (Yeah)
'Cause on a one-to-ten, she's a certified twenty
But that just ain't me (Hey)
'Cause I don't know if I take that chance
Just where's it gonna lead
But what I do know is the way she dance
Make shorty alright with me (Hey, hey, hey)
The way she get low
I'm like, "Yeah, just work that out for me"
She asked for one more dance
And I'm like, "Yeah, how the hell am I supposed to leave?" And I said (Let's go, bring the beat back)
Yeah, yeah
Shawty got down low, she said, "Come and get me"
Yeah, yeah
I got so caught up, I forgot she told me
Yeah, yeah
Her and my girl used to be the best of homies
Yeah, yeah
Next thing I knew, she was all up on me screamin'
Yeah, yeah, yeah, yeah, yeah, yeah
Yeah, yeah, yeah, yeah, yeah, yeah (Hey, hey, Luda)
Watch out, my outfit's ridiculous
In the club, lookin' so conspicuous
And raow, these women all on the prowl
If you hold the head steady, I'ma milk the cow (Yeah)
And forget about game, I'ma spit the truth (What)
I won't stop 'til I get 'em in they birthday suit (Yeah)
So gimme the rhythm and it'll be off with they clothes
Then bend over to the front and touch your toes
I left the Jag' and I took the Rolls
If they ain't cuttin', then I put 'em on foot patrol (Let's go, ow)
How you like me now
When my pinky's valued over three hundred thousand?
Let's drink, you the one to please (Yeah)
Ludacris fill cups like double Ds (Yeah)
Me and Ursh once more and we leaves 'em dead
We want a lady in the street, but a freak in the bed, that say
Yeah, yeah
Shawty got down low, she said, "Come and get me"
Yeah, yeah
I got so caught up, I forgot she told me
Yeah, yeah
Her and my girl used to be the best of homies
Yeah, yeah
Next thing I knew, she was all up on me screamin'
Yeah, yeah, yeah, yeah, yeah, yeah
Yeah, yeah, yeah, yeah, yeah, yeah
Take that and rewind it back
Lil Jon got the beat that make ya booty go
Take that, rewind it back
Usher got the voice make ya booty go
Take that, rewind it back
Ludacris got the flow that make ya booty go
Take that, rewind it back
Lil Jon got the beat that make ya booty go
Written by: Christopher Bridges, James Phillips, Jonathan "Lil Jon" Smith, LaMarquis Jefferson, Patrick "J. Que" Smith, Sean Garrett


