Credits

PERFORMING ARTISTS
Jake Gyllenhaal
Jake Gyllenhaal
Performer
Sunday In The Park With George 2017 Broadway Company
Sunday In The Park With George 2017 Broadway Company
Performer
WILLIAM ELLISON
WILLIAM ELLISON
Bass
Alisa Horn
Alisa Horn
Cello
Chris Fenwick
Chris Fenwick
Conductor
Mark Mitchell
Mark Mitchell
Keyboards
David Peel
David Peel
French Horn
R.J. Kelley
R.J. Kelley
French Horn
Susan Jolles
Susan Jolles
Harp
Marco Paguia
Marco Paguia
Keyboards
Kory Grossman
Kory Grossman
Percussion
Randy Cohen
Randy Cohen
Synthesizer
Taylor Williams
Taylor Williams
Synthesizer
David Blinn
David Blinn
Viola
Jocelyn Pan
Jocelyn Pan
Viola
Fritz Krakowski
Fritz Krakowski
Violin
Kristina Musser
Kristina Musser
Violin
Lisa Matricardi
Lisa Matricardi
Violin
Matt Lehmann
Matt Lehmann
Violin
Sylvia d'Avanzo
Sylvia d'Avanzo
Violin
James Ercole
James Ercole
Woodwinds
Jeremy Clayton Davis
Jeremy Clayton Davis
Woodwinds
Todd Groves
Todd Groves
Woodwinds
COMPOSITION & LYRICS
Stephen Sondheim
Stephen Sondheim
Songwriter
Emily Grishman
Emily Grishman
Copyist
Katherine Edmonds
Katherine Edmonds
Copyist
PRODUCTION & ENGINEERING
Adam Speers
Adam Speers
Co-Producer
Jeanine Tesori
Jeanine Tesori
Co-Producer
Kevin Gore
Kevin Gore
Co-Producer
Riva Marker
Riva Marker
Co-Producer
Bart Migal
Bart Migal
Producer
Victor Mancusi
Victor Mancusi
Recording Engineer
Tyler Hartman
Tyler Hartman
Recording Engineer

Lyrics

[Verse 1]
I thought that went very well, except for the electrical screwup
What did you guys think?
[Verse 2]
Terrible
Terrific
[Verse 3]
I mean, I don't understand completely (I'm not surprised)
But he combines all these different trends (I'm not surprised)
You can't divide our today into categories neatly (Oh?)
What matters is the means not the ends (I'm not surprised)
[Verse 4]
That is the state of the art, my dear
That is the state of the art
[Verse 5]
It's not enough knowing good from rotten (You're tellin' me)
Something new pops up everyday (You're tellin' me)
It's only nouveau for now (Nouveau)
But yesterday's forgotten
And tomorrow is already passé (There's no surprise)
[Verse 6]
That is the state of the art, my friend
That is the state of the art
[Verse 7]
He's an original (Was)
I like the images (Some)
Come on, you had your moment, now it's George's turn
It's George's turn? I wasn't talking turns, I'm talking work, but is it really new?
Don't you think he's original, oh yes, you're talking crap, well no
His own collaborator, it's all promotion, but then
It's for the novelty, well yes it's just in person, oh, but
[Verse 8]
That is the state of the art, isn't it?
[Verse 9]
Well
Art isn't easy, even when you've amassed it
Inviting for prizes, no one can be an oracle
Art isn't easy, suddenly, you're passed it
All compromises, and then when it's allegorical
Art isn't easy, art isn't easy, art isn't easy
Any way you look at it
[Verse 10]
Alright, George
As long as it's your night, George
You know what's in the room, George
Another Chromolume, George
It's time to get to work
[Verse 11]
George, look at all these lovely people in front of our painting
George, come say hello to one of our board members
This is Harriet Pauling
What a pleasure
And this is my friend, Billy Webster
What heading does your work fall under
Most people think of it as sculpture
So unconventional for sculpture
Oh, hahahaha
[Verse 12]
Say cheese, George
And put them at their ease, George
You're up on the trapeze, George
Machines don't grow on trees, George
Start putting it together
[Verse 13]
I bet your great-grandfather would be very proud
Yes, he woulda loved this evening
George and I are goin' back to France next month
To visit the island where the paintin' was made
And George is gonna bring the loamachrome
Oh, uh, Chromolume
Yes
[Verse 14]
Art isn't easy, even when you're hot
Are these inventions of yours one of a kind?
Advancing art is easy, yes
Financing it is not
They take a year to make
[Verse 15]
A vision's just a vision if it's only in your head
The minute he finishes one, he starts raisin' money for the next
If no one gets to see it, it's as good as dead
Work, work, work
It has to come to light
I put the names of my contributors on the side of each machine
Some very impressive people
Well, my family has a foundation
And we're always looking for new projects
[Verse 16]
Bit by bit, putting it together
Piece by piece, only way to make a work of art
Every moment makes a contribution
Every little detail plays a part
Having just a vision's no solution
Everything depends on execution
Putting it together, that's what counts
Actually, the board of the foundation is meeting next week
[Verse 17]
Ounce by ounce, putting it together
(You'll come to lunch)
Small amounts, adding up to make a work of art
First of all, you need a good foundation
Otherwise, it's risky from the start
Takes a little cocktail conversation
But with all the proper preparation
Having just a vision's no solution
Everything depends on execution
The art of making art, is putting it together
Bit by bit
[Verse 18]
We haven't met
Charles Redmond, County Museum of Texas
Nice to meet you
I don't mean to bring up business during a social occasion
But I wanted you to know
We're in the process of giving out some very sizable commissions
[Verse 19]
Link by link, making the connections
Drink by drink, fixing and perfecting the design
Adding just a dab of politician, always knowing where to draw the line
Lining up a prominent commission
Otherwise your perfect composition
Isn't gonna get much exhibition
[Verse 20]
Art isn't easy
Every minor detail is a major decision
Have to keep things in scale, have to hold to your vision
[Verse 21]
Every time I start to feel defensive, I remember lasers are expensive
What's a little cocktail conversation
If it's gonna get you your foundation
Leading to a prominent commission
And an exhibition in addition
[Verse 22]
Art isn't easy, trying to make connections
Who understands it? Difficult to evaluate
Art isn't easy, trying to form collections
Always in transit, then when you have to collaborate
Art isn't easy, any way you look at it
[Verse 23]
George, you have to meet Mr. Randolph
Lee Randolph, I handle public relations for the museum
How do you do?
There's a lot of opportunity for some nice press here
[Verse 24]
Dot by dot, building up the image
Shot by shot, keeping at a distance doesn't pay
Still if you remember your objective
And throw all your privacy away
A little bit of hype can be effective
Long as you can keep it in perspective
After all without some recognition
No one's going to give you a commission
Which would cause a crack in the foundation
You'll have wasted all that conversation
[Verse 25]
I am really sorry, George
I spoke with Naomi in great detail
About how much electricity her synthesizer was going to use
I computed exact voltage
[Verse 26]
Dennis, it's okay
Now go get yourself a drink, Dennis, mingle
Um, George, I wave one more thing I wanted to talk to you about
I was gonna wait, uh, no, I'll wait (What?)
I'm quitting
Quitting?
I'm going back to NASA
There's just too much pressure in this line of work
Dennis, don't make any rash decisions
Just take it easy, sleep on it, we'll talk about it tomorrow
Okay, George
[Verse 27]
Art isn't easy (hey, it's the brains) even when you're smart
(Little technical screwup tonight, Dennis?) I think it's all together
Then something falls apart (I love the new machine, George)
Ahh thank you, that means a lot to me
We saw you talking to Redmond from Texas
Yeah (Did you get one of the commissions?)
We talked about it, you guys?
Her, my stuff is a little too inaccessible
Oh, I love your work, Alex, I'll put in a good word for you
He knows my work!
Well, it's all politics, Alex, maybe if you just lighten up a little
Texas would be fun
[Verse 28]
Art isn't easy
Overnight, you're a trend, you're the right combination
Then the trend's at an end, you're suddenly last year's sensation
[Verse 29]
So you should support the competition
Try to set aside your own ambition
Even while you jockey for position
[Verse 30]
If you feel a sense of coalition, then you'll never really stand alone
If you want, you work to reach fruition
What you need to link wth your tradition
And of course, a prominent commission
[Verse 31]
Plus a little formal recognition
So that you can go on exhibition
So that your work, can go on exhibition
[Verse 32]
There's the man of the hour
Blair, hello I read your piece on neoexpressionism
Uh, good for you
Now, I had no idea you might be related to 19th century France
Well, it's a cloudy ancestral line at best
I'm dying to meet your grandmother
It was fun seeing the two of you on stage with your invention
It added a certain humanity to the proceedings
[Verse 33]
Humanity?
George, Chromolume number seven?
[Verse 34]
Be nice, George
I was hoping it would be a series of three, four at the most
You have to pay a price, George
I have touted your work from the beginning, you know that
They like to give advice, George
You were really on to something with these light machines, once
Don't think about it twice, George
Now they're just becoming more and more about less and less
I disagree
[Verse 35]
Ugh, don't get me wrong, you're a talented guy
But there are new discoveries to be made, George
Be new, George
They'll tell you till they're blue, George
You're new or else you're through, George
And even if it's true, George
You do what you can do
[Verse 36]
Bit by bit, putting it together
Piece by piece, working out the vision night and day
All it takes is time and perseverance
With a little luck along the way
Putting in a personal appearance
Gathering supporters and adherence
[Verse 37]
But he combines all these different trends
Mapping out the right configuration
Starting with a suitable foundation
He's unoriginal (was)
Lining up a prominent commission
And an exhibition in addition
Hear a little dab of politician (I like those images)
Here, a little touch of complication
Need to have a balanced composition
Everything depends on preparation
Even if you do have the suspicion
That it's taking all your concentration
[Verse 38]
The art of making art, is putting it together
(Art is't easy) Bit by bit
Link by link, drink by drink
Mink by mink
And that is the state of the art
Written by: Stephen Sondheim
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